Hiphop Knowledge

歌手:KRS-One • 时间:

📝 纯歌词版本

You know.. life is funny..
If you don't repeat the actions of your own success you won't be successful
You gotta know your own formula, your own ingredients.What made you, YOU..
1987 I was at the Latin Quarters
Listenin to Afrika Bambaata give the order
The call of the order was to avoid the slaughter
He said, "Record companies ain't got nuttin for ya!"
Without a lawyer, he taught The Infinity Lessons
And that was great, so in 1988,there was no debate, we had to end the hate Afrika
We - started talkin bout Martin and Malcolm
Had these ghetto kids goin, "Huh, what about him?"
1990 came with the West coast.East coast, West coast, who is the best coast? 1990
Lookin back now, of COURSE it was bogus.The whole argument was where we lost focus
Or abused it, you know how the crew get."You like it cause you choose it"
They called me "Captain Human", another message was sent"Self Destruction don't pay the {******} rent"
Remember that? Nobody wanted conscious rap
It was like - where these ballers at?Where can they call us at? All was wack
So in 1992, I found my crew.They said, "Yo Kris, what you wanna do?"
I said, "Damn - why they wanna get with me?If I bust they {****} I'm contradictory.
If I play the rap role, they take my shoe. Tell me what the **** am I supposed to do
"Kay Are Ess One is con-tra-dic-to-ry"Just cause I wouldn't let these rappers get with me
**** that, **** you and **** your pen. If a rapper wanna diss, yo I'd do it again
But I'm makin these ends, and I got my friends
1994, "Return of the Boom Bap"It wasn't all about the loot.It was all about Harry Allen Rhythm Cultural Institute 1
Blowin up, 1995.Conscious rap is still alive
But nobody wanna play it, nobody wanna say it.Nobody okayed it, they'd all rather hate it
"Step Into a World," that's what I did “
1997 I was raisin my kid or kids, but I, had to go 1997
Cause New York DJ's changed the flows to clothes and hoes, but that wasn't me
I'll be damned if I dance for the MTV
So in 1998 I began to debate.Should I go now, or should I really wait?
'99, I moved to L.A. you see and took a gig with the WB
But you know what the problem is or was?
DJ's don't raise our kids, cuz they so caught up in the cash and jewels DJ
Mic Conception, all of them, said"Yo you need help? I should call them"
When I was in L.A., I held the crown.Bloods, Crips, they held me down
I could never forget Mad Lion, killer pride with the gat in the lap in the low-ride
Oh I can't forget, Icy Ice, Lucky Lou.Julio G, that was the crew Davey D, Ingrid, David Connor
But in 2000, I seen how I wanted to live.I wasn't no executive
So I picked up the mic and I quit my job.Said to Simone I gotta get with God
She said, "Don't worry bout these dollars and quarters.Record companies ain't got nuttin for ya."
Damn, she took me back to Bam!.Took me back to who I am!
Brought me back to the New York land!Now I overstand!..
{KRS} Yes! KRS-ONE:
{interviewer}Explain that to us please.
which is breaking, emceeing, graffiti art, deejaying, beatboxing,street fashion, street language, street knowledge, and street entrepenurialism - trade and business.
and then Afrika Bambaata and Zulu Nation (mmhmm) who instigated something called The Infinity Lessons

🎵 LRC歌词版本

[00:01.000]You know.. life is funny..
[00:04.410]If you don't repeat the actions of your own success you won't be successful
[00:09.300]You gotta know your own formula, your own ingredients.What made you, YOU..
[00:15.720]1987 I was at the Latin Quarters
[00:17.710]Listenin to Afrika Bambaata give the order
[00:19.720]The call of the order was to avoid the slaughter
[00:21.570]He said, "Record companies ain't got nuttin for ya!"
[00:23.660]Without a lawyer, he taught The Infinity Lessons
[00:27.510]And that was great, so in 1988,there was no debate, we had to end the hate Afrika
[00:35.500]We - started talkin bout Martin and Malcolm
[00:37.700]Had these ghetto kids goin, "Huh, what about him?"
[00:43.600]1990 came with the West coast.East coast, West coast, who is the best coast? 1990
[00:47.270]Lookin back now, of COURSE it was bogus.The whole argument was where we lost focus
[00:55.000]Or abused it, you know how the crew get."You like it cause you choose it"
[01:07.000]They called me "Captain Human", another message was sent"Self Destruction don't pay the {******} rent"
[01:11.680]Remember that? Nobody wanted conscious rap
[01:13.800]It was like - where these ballers at?Where can they call us at? All was wack
[01:19.170]So in 1992, I found my crew.They said, "Yo Kris, what you wanna do?"
[01:22.750]I said, "Damn - why they wanna get with me?If I bust they {****} I'm contradictory.
[01:27.000]If I play the rap role, they take my shoe. Tell me what the **** am I supposed to do
[01:35.250]"Kay Are Ess One is con-tra-dic-to-ry"Just cause I wouldn't let these rappers get with me
[01:39.000]**** that, **** you and **** your pen. If a rapper wanna diss, yo I'd do it again
[01:42.650]But I'm makin these ends, and I got my friends
[01:52.490]1994, "Return of the Boom Bap"It wasn't all about the loot.It was all about Harry Allen Rhythm Cultural Institute 1
[01:58.430]Blowin up, 1995.Conscious rap is still alive
[02:02.550]But nobody wanna play it, nobody wanna say it.Nobody okayed it, they'd all rather hate it
[02:14.790]"Step Into a World," that's what I did “
[02:17.000]1997 I was raisin my kid or kids, but I, had to go 1997
[02:20.510]Cause New York DJ's changed the flows to clothes and hoes, but that wasn't me
[02:24.450]I'll be damned if I dance for the MTV
[02:26.460]So in 1998 I began to debate.Should I go now, or should I really wait?
[02:30.380]'99, I moved to L.A. you see and took a gig with the WB
[02:38.420]But you know what the problem is or was?
[02:41.000]DJ's don't raise our kids, cuz they so caught up in the cash and jewels DJ
[02:54.380]Mic Conception, all of them, said"Yo you need help? I should call them"
[02:59.000]When I was in L.A., I held the crown.Bloods, Crips, they held me down
[03:02.070]I could never forget Mad Lion, killer pride with the gat in the lap in the low-ride
[03:05.500]Oh I can't forget, Icy Ice, Lucky Lou.Julio G, that was the crew Davey D, Ingrid, David Connor
[03:21.370]But in 2000, I seen how I wanted to live.I wasn't no executive
[03:25.960]So I picked up the mic and I quit my job.Said to Simone I gotta get with God
[03:29.800]She said, "Don't worry bout these dollars and quarters.Record companies ain't got nuttin for ya."
[03:33.870]Damn, she took me back to Bam!.Took me back to who I am!
[03:37.600]Brought me back to the New York land!Now I overstand!..
[03:52.740]{KRS} Yes! KRS-ONE:
[03:54.030]{interviewer}Explain that to us please.
[04:15.000]which is breaking, emceeing, graffiti art, deejaying, beatboxing,street fashion, street language, street knowledge, and street entrepenurialism - trade and business.
[04:37.500]and then Afrika Bambaata and Zulu Nation (mmhmm) who instigated something called The Infinity Lessons

🌍 纯翻译歌词

你知道生活如此多姿
如果你不肯为你想要的目标付出努力,那你就不会成功
你须知适合自己的方法,你自己的性格优劣,是什么成就了你
听着Afrika Bambaata所构想的制度
这个秩序的提出是为了避免人与人之间的争端(前面夜店老总和KRS-ONE的朋友因暴力争端遭枪杀)
他在没有法律解决的情况下教了那些最让我难忘的课
关于嘻哈,如何造福我们的生活
的想法触动了大家,所以在1988年这个圈子变得没有争执,我们必须消灭憎恶
我们开始谈论Martin和 Malcolm(主导美国黑人民权运动的两位英雄)
那些贫民窟的孩子进来倾听着:“嗯,他们怎么样了?”
1989年,professor Griff在他的舞台敞开心扉(公敌成员)但他在舞台上畅所欲言的权利被逐渐削减
年蹦出了个西海岸。东海岸,西海岸,哪个才是最溜的海岸?
年我们在做H.E.A.L时开阔了自己的领域,我们尝试诉说当今人类的现状。
想起了吗?没人想为清醒的说唱音乐买帐
这就像是-呆瓜们只会问“那些球员们在哪?我们在哪能见到他们?”(或指没人愿意理解意识说唱的内涵)都是怪人
嘻哈文化变得越来越单调的事实越来越凸显
所以在1992年,我找到了自己的团队(bdp)。他们说,“KRS,这次你想干啥?”(93年以个人名义做歌)
我说:“嘿!为什么他们(bdp)想跟我混?要是我打破了和他们的关系我会矛盾不已
如果我成了破坏关系的那个角色,他们便会拆我的台。告诉我究竟该怎么做?”
于是我不让他们跟我一起做。突然地这些嘴炮王们就想喷我了
“krs-one那怂包还在犹豫不决。”就因为我不让这些rappers跟我混
废渣玩意带上你的笔一起滚吧,如果有rapper想diss尽管来,我会让你折服
但我和我的朋友们就这么算了
994年“Return of the Boom Bap”发布了。这张专的完成要归功于Harry Allen的“说唱文化研究所”
 95年Blowing up这张专让我看到有思想的说唱依旧存在
但没人想要清醒地去唱、去说,没人肯定它,他们还活在这该死的混沌现实中
走进同一个世界”这就是我在做的
年我细心地栽培我的孩子(作品),但我不得不离开
因为纽约的那些的DJ们改了他们的flows,穿着的风格换了,身边的女人也都换了个遍。但我不会因此而改变。
我要是去MTV跳舞的话会被骂的狗血临头
于是在98年我开始仔细考虑未来,我是应该现在退出说唱圈还是继续等待?
如你所知99年我搬到了L.A还找了个在WB的工作
开始每日每夜地学习(哲学)知识来充实我的身心
但你知道出现了什么问题吗?
们不花心思改善我的作品,因为他们的眼中只有钱
那些说唱界的领头人们对我说:“老哥,如需帮助,解囊相助”
当我在洛杉矶的时候,老子曾如日中天。不过血帮瘸帮(指一些当头红的rapper)的势头把我压了下来
我永远忘不了和MAD LION和killer pride在跳跳公路车里潇洒的日子
也忘不了我的兄弟们Icy Ice, Lucky Lou,Julio G,Davey D, Ingrid, David Connor.Davey D, Ingrid, David Connor
我的团队多了FredWreck和Protest且人数还有所增长。即便如此,团队里和睦一团。
对发家于L.A的temple成员,我精神上和心灵上的捍卫者表示感谢
所以我辞去工作重新拿起了麦。和Simone说以后的生活就听天由命了
她说:“别太在意这些金钱,做歌的主旨不在于这些。”(告诫勿被金钱迷人眼)
嘿!她让我违背了自己的意愿!带我找回了自己!
带我回到了纽约!如今,我有了新的定向!
采访者:KRS-ONE,现在我引述你的一句话说,说唱是我们的产物而嘻哈却是我们生活的方式
是的
采访者:请向大家解释一下为何这么说
嗯~嘻哈走到今天,我们一直在告诉大众,嘻哈不只是音乐形式,它是一种态度,是一种意识,是我们去看世界的方式
所以说唱音乐是我们的产物,而嘻哈,则是我们灵感的源泉
今天我们看嘻哈被分成了九个部分
它包含着霹雳舞,说唱,涂鸦艺术,bbox,街头潮流,街头语言,街头知识以及街头的创业精神-街头交易和街头生意
然后你知道嘻哈来自……
70's 嘻哈源于DJ Kool Herc--在70年代早期创造嘻哈的始祖
后来Afrika Bambaata和Zulu Nation开办了The Infinity Lessons,而且在嘻哈里加入了自己的理念
我们举办了一个叫"停止暴力"的活动,说起这个你会想起一首歌叫Self Destruction
我们所做的这一切是想通过这个文化活出自己的味儿,也尽起我们对社会的责任。

🔤 LRC翻译歌词

[00:01.000]你知道生活如此多姿
[00:04.410]如果你不肯为你想要的目标付出努力,那你就不会成功
[00:09.300]你须知适合自己的方法,你自己的性格优劣,是什么成就了你
[00:17.710]听着Afrika Bambaata所构想的制度
[00:19.720]这个秩序的提出是为了避免人与人之间的争端(前面夜店老总和KRS-ONE的朋友因暴力争端遭枪杀)
[00:23.660]他在没有法律解决的情况下教了那些最让我难忘的课
[00:25.870]关于嘻哈,如何造福我们的生活
[00:27.510]的想法触动了大家,所以在1988年这个圈子变得没有争执,我们必须消灭憎恶
[00:35.500]我们开始谈论Martin和 Malcolm(主导美国黑人民权运动的两位英雄)
[00:37.700]那些贫民窟的孩子进来倾听着:“嗯,他们怎么样了?”
[00:39.580]1989年,professor Griff在他的舞台敞开心扉(公敌成员)但他在舞台上畅所欲言的权利被逐渐削减
[00:43.600]年蹦出了个西海岸。东海岸,西海岸,哪个才是最溜的海岸?
[00:59.220]年我们在做H.E.A.L时开阔了自己的领域,我们尝试诉说当今人类的现状。
[01:11.680]想起了吗?没人想为清醒的说唱音乐买帐
[01:13.800]这就像是-呆瓜们只会问“那些球员们在哪?我们在哪能见到他们?”(或指没人愿意理解意识说唱的内涵)都是怪人
[01:17.000]嘻哈文化变得越来越单调的事实越来越凸显
[01:19.170]所以在1992年,我找到了自己的团队(bdp)。他们说,“KRS,这次你想干啥?”(93年以个人名义做歌)
[01:22.750]我说:“嘿!为什么他们(bdp)想跟我混?要是我打破了和他们的关系我会矛盾不已
[01:27.000]如果我成了破坏关系的那个角色,他们便会拆我的台。告诉我究竟该怎么做?”
[01:31.000]于是我不让他们跟我一起做。突然地这些嘴炮王们就想喷我了
[01:35.250]“krs-one那怂包还在犹豫不决。”就因为我不让这些rappers跟我混
[01:39.000]废渣玩意带上你的笔一起滚吧,如果有rapper想diss尽管来,我会让你折服
[01:42.650]但我和我的朋友们就这么算了
[01:52.490]994年“Return of the Boom Bap”发布了。这张专的完成要归功于Harry Allen的“说唱文化研究所”
[01:58.430] 95年Blowing up这张专让我看到有思想的说唱依旧存在
[02:02.550]但没人想要清醒地去唱、去说,没人肯定它,他们还活在这该死的混沌现实中
[02:14.790]走进同一个世界”这就是我在做的
[02:17.000]年我细心地栽培我的孩子(作品),但我不得不离开
[02:20.510]因为纽约的那些的DJ们改了他们的flows,穿着的风格换了,身边的女人也都换了个遍。但我不会因此而改变。
[02:24.450]我要是去MTV跳舞的话会被骂的狗血临头
[02:26.460]于是在98年我开始仔细考虑未来,我是应该现在退出说唱圈还是继续等待?
[02:30.380]如你所知99年我搬到了L.A还找了个在WB的工作
[02:34.560]开始每日每夜地学习(哲学)知识来充实我的身心
[02:38.420]但你知道出现了什么问题吗?
[02:41.000]们不花心思改善我的作品,因为他们的眼中只有钱
[02:54.380]那些说唱界的领头人们对我说:“老哥,如需帮助,解囊相助”
[02:59.000]当我在洛杉矶的时候,老子曾如日中天。不过血帮瘸帮(指一些当头红的rapper)的势头把我压了下来
[03:02.070]我永远忘不了和MAD LION和killer pride在跳跳公路车里潇洒的日子
[03:05.500]也忘不了我的兄弟们Icy Ice, Lucky Lou,Julio G,Davey D, Ingrid, David Connor.Davey D, Ingrid, David Connor
[03:12.300]我的团队多了FredWreck和Protest且人数还有所增长。即便如此,团队里和睦一团。
[03:17.690]对发家于L.A的temple成员,我精神上和心灵上的捍卫者表示感谢
[03:25.960]所以我辞去工作重新拿起了麦。和Simone说以后的生活就听天由命了
[03:29.800]她说:“别太在意这些金钱,做歌的主旨不在于这些。”(告诫勿被金钱迷人眼)
[03:33.870]嘿!她让我违背了自己的意愿!带我找回了自己!
[03:37.600]带我回到了纽约!如今,我有了新的定向!
[03:46.000]采访者:KRS-ONE,现在我引述你的一句话说,说唱是我们的产物而嘻哈却是我们生活的方式
[03:52.740]是的
[03:54.030]采访者:请向大家解释一下为何这么说
[03:55.430]嗯~嘻哈走到今天,我们一直在告诉大众,嘻哈不只是音乐形式,它是一种态度,是一种意识,是我们去看世界的方式
[04:05.760]所以说唱音乐是我们的产物,而嘻哈,则是我们灵感的源泉
[04:12.000]今天我们看嘻哈被分成了九个部分
[04:15.000]它包含着霹雳舞,说唱,涂鸦艺术,bbox,街头潮流,街头语言,街头知识以及街头的创业精神-街头交易和街头生意
[04:25.780]然后你知道嘻哈来自……
[04:29.900]70's 嘻哈源于DJ Kool Herc--在70年代早期创造嘻哈的始祖
[04:37.500]后来Afrika Bambaata和Zulu Nation开办了The Infinity Lessons,而且在嘻哈里加入了自己的理念
[04:51.420]我们举办了一个叫"停止暴力"的活动,说起这个你会想起一首歌叫Self Destruction
[04:58.700]我们所做的这一切是想通过这个文化活出自己的味儿,也尽起我们对社会的责任。

📝 纯歌词版本

You know.. life is funny..
If you don't repeat the actions of your own success you won't be successful
You gotta know your own formula, your own ingredients.What made you, YOU..
1987 I was at the Latin Quarters
Listenin to Afrika Bambaata give the order
The call of the order was to avoid the slaughter
He said, "Record companies ain't got nuttin for ya!"
Without a lawyer, he taught The Infinity Lessons
And that was great, so in 1988,there was no debate, we had to end the hate Afrika
We - started talkin bout Martin and Malcolm
Had these ghetto kids goin, "Huh, what about him?"
1990 came with the West coast.East coast, West coast, who is the best coast? 1990
Lookin back now, of COURSE it was bogus.The whole argument was where we lost focus
Or abused it, you know how the crew get."You like it cause you choose it"
They called me "Captain Human", another message was sent"Self Destruction don't pay the {******} rent"
Remember that? Nobody wanted conscious rap
It was like - where these ballers at?Where can they call us at? All was wack
So in 1992, I found my crew.They said, "Yo Kris, what you wanna do?"
I said, "Damn - why they wanna get with me?If I bust they {****} I'm contradictory.
If I play the rap role, they take my shoe. Tell me what the **** am I supposed to do
"Kay Are Ess One is con-tra-dic-to-ry"Just cause I wouldn't let these rappers get with me
**** that, **** you and **** your pen. If a rapper wanna diss, yo I'd do it again
But I'm makin these ends, and I got my friends
1994, "Return of the Boom Bap"It wasn't all about the loot.It was all about Harry Allen Rhythm Cultural Institute 1
Blowin up, 1995.Conscious rap is still alive
But nobody wanna play it, nobody wanna say it.Nobody okayed it, they'd all rather hate it
"Step Into a World," that's what I did “
1997 I was raisin my kid or kids, but I, had to go 1997
Cause New York DJ's changed the flows to clothes and hoes, but that wasn't me
I'll be damned if I dance for the MTV
So in 1998 I began to debate.Should I go now, or should I really wait?
'99, I moved to L.A. you see and took a gig with the WB
But you know what the problem is or was?
DJ's don't raise our kids, cuz they so caught up in the cash and jewels DJ
Mic Conception, all of them, said"Yo you need help? I should call them"
When I was in L.A., I held the crown.Bloods, Crips, they held me down
I could never forget Mad Lion, killer pride with the gat in the lap in the low-ride
Oh I can't forget, Icy Ice, Lucky Lou.Julio G, that was the crew Davey D, Ingrid, David Connor
But in 2000, I seen how I wanted to live.I wasn't no executive
So I picked up the mic and I quit my job.Said to Simone I gotta get with God
She said, "Don't worry bout these dollars and quarters.Record companies ain't got nuttin for ya."
Damn, she took me back to Bam!.Took me back to who I am!
Brought me back to the New York land!Now I overstand!..
{KRS} Yes! KRS-ONE:
{interviewer}Explain that to us please.
which is breaking, emceeing, graffiti art, deejaying, beatboxing,street fashion, street language, street knowledge, and street entrepenurialism - trade and business.
and then Afrika Bambaata and Zulu Nation (mmhmm) who instigated something called The Infinity Lessons

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Sound Of Da Police

👤 歌手:KRS-One
📝 歌词预览
Sound of Da Police - KRS One
Yes, indeed

Yes, indeed
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You can't walk where I walk, watch o...
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Higher Level

👤 歌手:KRS-One
📝 歌词预览
Higher Level -KRS-One
After seven years of rocking
How do you rate me
Poorly or greatly
Everybody seems to be going for there's lately
Yo mad heads be...
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Return of the Boom Bap

👤 歌手:KRS-One
📝 歌词预览
Return of the Boom Bap -KRS-One
Boom bap original rap
Boom bap original rap
See how it sounds
A little unrational
See how it sounds
A little unrationa...
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Heartbeat (LP Version)

👤 歌手:KRS-One / Redman / Angie Martinez
📝 歌词预览
If you don't move back we're gonna turn this music off
and that's my word, move back!
Word is bond let's get this shit goi
Word up, it's the Funk Doc ...
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Rhymin' Skills

👤 歌手:D-Nice / KRS-One
📝 歌词预览
Come now
Yes
Now everyone comes in and says that they are
The lyrical champion
But of course there is only a few 
That can really stand by that
Come n...
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Attendance

👤 歌手:KRS-One
📝 歌词预览
Who was, who was, who was
Who was the first to flash the heat on the cover?
Who was the first crew to go against another?
Who was the first to go 
Aca...
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Ain't the Same

👤 歌手:KRS-One
📝 歌词预览
You know it's
KrisIt ain't the same now (it ain't the same)
They switched the game now (they switched up on us)
They talk 'bout chains now (bling blin...
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Hip Hop Lives

👤 歌手:KRS-One
📝 歌词预览
I come back
Every year I get newer
I'm the dust on the moon
I'm the trash in the sewer
Let's go
I come back
Every year I get brighter
Let's go
I come ...
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Survivin'

👤 歌手:KRS-One
📝 歌词预览
Yeah, all my fathers 
That survive, gotta ride to break the illusion, confusion 
Uh.. uh, word 
Keep on fightin, strivin 
Uh.. hold your head up! 
Sur...
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Hiphop Knowledge
KRS-One
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