Reporter: In terms of Hendrix's technique
What do you feel that he was a guitar pioneer?
SRV: Well, his tone, his touch, his application of chords, his rhythms,
his taking the idea of blue songs and turning them into modern day things like...
like for instance...
Manic Depression...
to him, that was a modern blues song
Okay, even though it's a waltz and even though, you know, but like his chords
Chords such as
(MUSIC)
That's pretty inventive kind of stuff to me, you know
And the way he used the whammy bar,
was completely different than anybody had heard to it
His touch, you know, the soft
(Clear)
And as well as all that
I believe that he took tones a lot further than anyone had taken them
You know, he had taken he would take harmonics and find
If he couldn't get it out of a straight guitar,
he would find an effect
I think he opened up all those doors
I think he just continued to try to take things further
And he wasn't afraid of talking about spiritual things in his songs and trying to grow
It's obvious to me that he was trying to grow spiritually and everything
And I think that was a new thing in rock and roll or rock music
I think he stretched all the boundaries
🎵
LRC歌词版本
[00:01.322]Reporter: In terms of Hendrix's technique
[00:03.391]What do you feel that he was a guitar pioneer?
[00:08.238]SRV: Well, his tone, his touch, his application of chords, his rhythms,
[00:12.700]his taking the idea of blue songs and turning them into modern day things like...
[00:18.467]like for instance...
[00:21.309]Manic Depression...
[00:23.306]to him, that was a modern blues song
[00:26.689]Okay, even though it's a waltz and even though, you know, but like his chords
[00:34.028]Chords such as
[00:35.226]
[00:35.227](MUSIC)
[00:35.228]
[00:47.436]That's pretty inventive kind of stuff to me, you know
[00:49.921]And the way he used the whammy bar,
[00:52.069]was completely different than anybody had heard to it
[00:54.383]His touch, you know, the soft
[00:57.398](Clear)
[01:01.593]And as well as all that
[01:03.691]I believe that he took tones a lot further than anyone had taken them
[01:07.955]You know, he had taken he would take harmonics and find
[01:10.753]If he couldn't get it out of a straight guitar,
[01:13.928]he would find an effect
[01:15.453]I think he opened up all those doors
[01:17.531]I think he just continued to try to take things further
[01:20.689]And he wasn't afraid of talking about spiritual things in his songs and trying to grow
[01:28.514]It's obvious to me that he was trying to grow spiritually and everything
[01:34.104]And I think that was a new thing in rock and roll or rock music
[01:37.938]I think he stretched all the boundaries
Reporter: In terms of Hendrix's technique
What do you feel that he was a guitar pioneer?
SRV: Well, his tone, his touch, his application of chords, his rhythms,
his taking the idea of blue songs and turning them into modern day things like...
like for instance...
Manic Depression...
to him, that was a modern blues song
Okay, even though it's a waltz and even though, you know, but like his chords
Chords such as
(MUSIC)
That's pretty inventive kind of stuff to me, you know
And the way he used the whammy bar,
was completely different than anybody had heard to it
His touch, you know, the soft
(Clear)
And as well as all that
I believe that he took tones a lot further than anyone had taken them
You know, he had taken he would take harmonics and find
If he couldn't get it out of a straight guitar,
he would find an effect
I think he opened up all those doors
I think he just continued to try to take things further
And he wasn't afraid of talking about spiritual things in his songs and trying to grow
It's obvious to me that he was trying to grow spiritually and everything
And I think that was a new thing in rock and roll or rock music
I think he stretched all the boundaries
🎵
LRC歌词版本
[00:01.322]Reporter: In terms of Hendrix's technique
[00:03.391]What do you feel that he was a guitar pioneer?
[00:08.238]SRV: Well, his tone, his touch, his application of chords, his rhythms,
[00:12.700]his taking the idea of blue songs and turning them into modern day things like...
[00:18.467]like for instance...
[00:21.309]Manic Depression...
[00:23.306]to him, that was a modern blues song
[00:26.689]Okay, even though it's a waltz and even though, you know, but like his chords
[00:34.028]Chords such as
[00:35.226]
[00:35.227](MUSIC)
[00:35.228]
[00:47.436]That's pretty inventive kind of stuff to me, you know
[00:49.921]And the way he used the whammy bar,
[00:52.069]was completely different than anybody had heard to it
[00:54.383]His touch, you know, the soft
[00:57.398](Clear)
[01:01.593]And as well as all that
[01:03.691]I believe that he took tones a lot further than anyone had taken them
[01:07.955]You know, he had taken he would take harmonics and find
[01:10.753]If he couldn't get it out of a straight guitar,
[01:13.928]he would find an effect
[01:15.453]I think he opened up all those doors
[01:17.531]I think he just continued to try to take things further
[01:20.689]And he wasn't afraid of talking about spiritual things in his songs and trying to grow
[01:28.514]It's obvious to me that he was trying to grow spiritually and everything
[01:34.104]And I think that was a new thing in rock and roll or rock music
[01:37.938]I think he stretched all the boundaries