Act I: Let's Have Lunch

歌手： Andrew Lloyd Webber • 时间：2026-05-18 00:52:53

📝 纯歌词版本

JOE:
 Hi there, Myron
 MYRON:
 How's it hanging?
 JOE:
 I've got a date with Sheldrake
 MYRON:
 I'm shooting a Western down at Fox
 JOE:
 How can you work with Darryl?
 MYRON:
 We should talk
 JOE:
 Gotta run
 BOTH:
 Let's have lunch
 MARY:
 Hi, Mr. Gillis
 JOE:
 You look great!
 MARY:
 I'm up for an audition
 JOE:
 Sheldrake is driving me insane
 MARY:
 Don't forget me when you're casting
 JOE:
 We should talk
 MARY:
 Gotta run
 BOTH:
 Let's have lunch
 JOE:
 Morning, Joanna
 MARY:
 Hi, there Myron
 JOANNA:
 Who are you meeting?
 MYRON:
 You look great
 JOE:
 Sheldrake, but do I need it
 MARY:
 I've spent the last month fasting
 JOANNA:
 I'm handing in my second draft
 MYRON:
 I'm shooting a Western down at Fox
 JOE:
 I'd really love to read it
 MARY:
 Don't forget me when you're casting
 JOANNA:
 We should talk
 MYRON:
 We should talk
 JOE:
 Gotta run
 MARY:
 Gotta run
 ALL FOUR:
 Let's have lunch
 JOE (spoken):
 Yeah, I had an appointment with Mr. Sheldrake
 JONES (spoken):
 Name?
 JOE (spoken):
 Gillis. Joseph Gillis
 JONES (spoken):
 All right, sir, you know your way?
 JOE (spoken):
 Yeah
 FIRST FINANCEMAN:
 We want the keys to your car
 SECOND FINANCEMAN:
 You're way behind with the payments
 FIRST FINANCEMAN:
 Don't give us any fancy footwork
 SECOND FINANCEMAN:
 Give us the keys
 JOE:
 I only wish I could help
 I loaned it to my accountant
 He has an important client down in Palm Springs
 Felt like shooting the breeze
 FIRST FINANCEMAN:
 Are you telling us you walked here?
 JOE:
 I believe in self-denial
 I'm in training for the priesthood
 SECOND FINANCEMAN:
 OK, wise guy, three hundred bucks
 FIRST FINANCEMAN:
 Or we're taking the car
 SECOND FINANCEMAN:
 We have a court order
 JOE (spoken):
 I love it when you talk dirty
 SAMMY:
 Bless you, Joseph
 JOE:
 That you, Sammy?
 SAMMY:
 How do you like my harem?
 JOE:
 How come you get such lousy breaks?
 SAMMY:
 One learns to grin and bear 'em
 GIRLS:
 This is the biggest film ever made
 JOE:
 What're you playing?
 ANITA:
 Temple virgin
 DAWN:
 Handmaiden to Delilah
 JOE:
 Let's have lunch
 Gotta run
 You've got to find me a job
 I'm way behind with my payments
 I thought you were meant to be my agent
 I need some work
 MORINO:
 I only wish I could help
 This town is dead at the moment
 There's been this slowdown in production
 JOE (spoken):
 Who is this jerk?
 MORINO:
 He's my wunderkind from Broadway
 Every major studio wants him
 YOUNGER MAN:
 Playing one against the other
 JOE:
 What I need is three hundred bucks
 MORINO (spoken):
 Maybe what you need is a new agent
 JOE:
 Hello, Artie
 ARTIE:
 Joe, you bastard!
 JOE:
 You never call me any more
 ARTIE:
 Found a cuter dancing partner
 How are things?
 JOE:
 Not so great
 ARTIE:
 Will this help?
 Twenty bucks?
 JOE (spoken):
 Thanks, you're a pal
 ALL (spoken):
 Good morning, Mr. DeMille
 Hi Mr. DeMille
 SHELDRAKE:
 This is Sheldrake
 Bring some water
Get me that ****head Nolan
 Nolan, sweetheart
 Great to talk
 This draft is so much brighter
 You're the best
 Even so
 I've hired another writer
 SECRETARY (spoken):
 Mr. Gillis
 SHELDRAKE:
Joe! What the **** brings you here?
 JOE (spoken):
 You wanted to see me
 SHELDRAKE (spoken):
 I did? What about?
 JOE (spoken):
 "Bases Loaded." It's an outline for a baseball picture
 SHELDRAKE (spoken):
 So, pitch
 JOE (spoken):
 It's about a rookie shortstop. He's batting .347. The kid was once mixed up in a holdup. Now he's trying to go straight
 SHELDRAKE  (spoken):
 Wait a minute. Wait a minute. I think I have read this. Somebody, bring in what we've got on...
 JOE (spoken):
 "Bases Loaded."
 SHELDRAKE  (spoken):
 ..."Bases Loaded."
 JOE (spoken):
 They're pretty hot for it over at Twentieth
 SHELDRAKE  (spoken):
 Good!
 JOE (spoken):
 But can you see Ty Power as a shortstop?
 ENSEMBLE:
 Let's have lunch
 BETTY (spoken)
 Here's that "Bases Loaded" material, Mr. Sheldrake
 I made a two-page synopsis for you,
 but I wouldn't bother to read it
 SHELDRAKE (spoken):
 Why not?
 BETTY (spoken):
 It's just a rehash of something
 that wasn't very good to begin with
 SHELDRAKE (spoken):
 Meet Mr. Gillis. He wrote it
 ENSEMBLE:
 We should talk
 SHELDRAKE
 (spoken)
 This is Miss Kramer
 BETTY (spoken)
 Schaefer. Betty Schaefer.
 And right now,
 I'd like to crawl into a hole and pull it in after me
 JOE (spoken)
 If I could be of any help...
 BETTY (spoken)
 I'm sorry, Mr. Gillis, I couldn't see the point of it
 JOE (spoken)
 What sort of material do you suggest?
 James Joyce? Dostoyevsky?
 BETTY (spoken)
 I think pictures should at least try to say a little something
 JOE (spoken)
 I see you're one of the message kids
 I expect you'd have turned down "Gone With the Wind"
 SHELDRAKE (spoken)
 No, that was me
 ENSEMBLE:
 Gotta run
 BETTY (spoken):
 And I guess I was disappointed
 I've read some of your other work
 and I thought you had some real talent
 JOE (spoken):
 Yeah, that was last year. This year I felt like eating
 BETTY (spoken):
 Well, I'm sorry, Mr. Gillis
 SHELDRAKE (spoken):
 Thank you, Miss Kramer
 Well, looks like Zanuck's got himself a baseball picture
 ENSEMBLE:
 We should talk
 Gotta run
 Let's have lunch
 JOE:
 You've got to give me some work
 I'll take whatever's on offer
There must be some shit that needs a rewrite
 Throw it my way
 SHELDRAKE:
 I only wish I could help
 There's no spare shit at the moment
 Remember the greatest writers starved in garretts
 Didn't care about pay
 JOE:
 Are you trying to be funny?
 SHELDRAKE:
 I believe in self-denial
 Gives a man some moral backbone
 JOE:
 Can you loan me three hundred bucks?
 SHELDRAKE:
 I'm sorry, Gillis. Good-bye
 JOE:
 I just love Hollywood
 CROWD (MYRON, CLIFF, SAMMY, MORINO, KATHERINE, LIZ, MARY, JOANNA, DAWN, ARTIE, JOHN, ANITA, ADAM, LISA) :
 Morning, Joanna / Where've you been hiding? / Hi there, Lisa
 I hate this weather / You look great / What're you doing?
 This is the biggest film ever made / I'm trying to make my mind up
 Guess I was born to play her/ They're talking nominations
 What is my motivation? / You should go work for Warners / Is your new script with Sheldrake?
 We shoot next month / Let's drive to Vegas this weekend
 I'm handing in my second draft / It's between me and Dietrich
 I'd really love to read it / I'd know just how to light you
 It won't work / I've landed a big Broadway show/ I'd know just how to light you
 We should talk
 Gotta run
 Let's have lunch!
 Hi, good morning
 Aren't we lucky?
 Going to work with Cukor
 Paramount is paradise
 Movies from A to Zukor
 We should talk, gotta run
 Let's have lunch
 We should talk
 Gotta run
 Let's have lunch!
 JOE(spoken, to BETTY):
 Come to get your knife back?
 It's still right there,
 Right between my shoulder blades

🎵 LRC歌词版本

[00:09.796] JOE:
[00:10.747] Hi there, Myron
[00:11.786] MYRON:
[00:12.257] How's it hanging?
[00:13.295] JOE:
[00:13.628] I've got a date with Sheldrake
[00:14.954] MYRON:
[00:16.054] I'm shooting a Western down at Fox
[00:18.067] JOE:
[00:18.330] How can you work with Darryl?
[00:20.087] MYRON:
[00:20.791] We should talk
[00:21.387] JOE:
[00:21.696] Gotta run
[00:22.733] BOTH:
[00:22.909] Let's have lunch
[00:23.889] MARY:
[00:24.001] Hi, Mr. Gillis
[00:25.165] JOE:
[00:25.336] You look great!
[00:26.304] MARY:
[00:26.636] I'm up for an audition
[00:28.289] JOE:
[00:28.854] Sheldrake is driving me insane
[00:31.226] MARY:
[00:31.651] Don't forget me when you're casting
[00:33.223] JOE:
[00:33.659] We should talk
[00:34.349] MARY:
[00:34.635] Gotta run
[00:35.464] BOTH:
[00:35.854] Let's have lunch
[00:36.670] JOE:
[00:37.184] Morning, Joanna
[00:37.935] MARY:
[00:38.440] Hi, there Myron
[00:39.328] JOANNA:
[00:39.647] Who are you meeting?
[00:40.489] MYRON:
[00:40.762] You look great
[00:41.569] JOE:
[00:41.725] Sheldrake, but do I need it
[00:43.332] MARY:
[00:43.524] I've spent the last month fasting
[00:44.309] JOANNA:
[00:44.859] I'm handing in my second draft
[00:45.550] MYRON:
[00:46.520] I'm shooting a Western down at Fox
[00:46.770] JOE:
[00:48.783] I'd really love to read it
[00:49.233] MARY:
[00:50.246] Don't forget me when you're casting
[00:51.996] JOANNA:
[00:52.243] We should talk
[00:52.843] MYRON:
[00:52.939] We should talk
[00:53.795] JOE:
[00:53.880] Gotta run
[00:54.621] MARY:
[00:55.283] Gotta run
[00:55.897] ALL FOUR:
[00:56.118] Let's have lunch
[00:56.505] JOE (spoken):
[00:57.364] Yeah, I had an appointment with Mr. Sheldrake
[00:58.491] JONES (spoken):
[00:59.024] Name?
[00:59.592] JOE (spoken):
[00:59.988] Gillis. Joseph Gillis
[01:01.032] JONES (spoken):
[01:01.694] All right, sir, you know your way?
[01:02.912] JOE (spoken):
[01:03.714] Yeah
[01:06.106] FIRST FINANCEMAN:
[01:06.489] We want the keys to your car
[01:07.732] SECOND FINANCEMAN:
[01:08.684] You're way behind with the payments
[01:10.204] FIRST FINANCEMAN:
[01:10.646] Don't give us any fancy footwork
[01:13.489] SECOND FINANCEMAN:
[01:13.664] Give us the keys
[01:15.671] JOE:
[01:16.009] I only wish I could help
[01:18.272] I loaned it to my accountant
[01:21.023] He has an important client down in Palm Springs
[01:25.784] Felt like shooting the breeze
[01:28.385] FIRST FINANCEMAN:
[01:28.605] Are you telling us you walked here?
[01:31.263] JOE:
[01:31.426] I believe in self-denial
[01:33.806] I'm in training for the priesthood
[01:36.326] SECOND FINANCEMAN:
[01:37.127] OK, wise guy, three hundred bucks
[01:38.972] FIRST FINANCEMAN:
[01:39.192] Or we're taking the car
[01:40.412] SECOND FINANCEMAN:
[01:40.795] We have a court order
[01:42.118] JOE (spoken):
[01:42.317] I love it when you talk dirty
[02:28.069] SAMMY:
[02:28.231] Bless you, Joseph
[02:29.172] JOE:
[02:29.357] That you, Sammy?
[02:30.749] SAMMY:
[02:30.913] How do you like my harem?
[02:32.829] JOE:
[02:32.968] How come you get such lousy breaks?
[02:35.475] SAMMY:
[02:35.614] One learns to grin and bear 'em
[02:37.507] GIRLS:
[02:37.670] This is the biggest film ever made
[02:41.071] JOE:
[02:41.187] What're you playing?
[02:42.114] ANITA:
[02:42.336] Temple virgin
[02:43.671] DAWN:
[02:43.810] Handmaiden to Delilah
[02:44.995] JOE:
[02:45.215] Let's have lunch
[02:47.073] Gotta run
[02:49.453] You've got to find me a job
[02:51.856] I'm way behind with my payments
[02:54.352] I thought you were meant to be my agent
[02:57.092] I need some work
[02:58.914] MORINO:
[02:59.216] I only wish I could help
[03:01.666] This town is dead at the moment
[03:04.232] There's been this slowdown in production
[03:08.330] JOE (spoken):
[03:08.528] Who is this jerk?
[03:09.931] MORINO:
[03:10.152] He's my wunderkind from Broadway
[03:13.253] Every major studio wants him
[03:15.946] YOUNGER MAN:
[03:16.132] Playing one against the other
[03:18.047] JOE:
[03:18.349] What I need is three hundred bucks
[03:21.530] MORINO (spoken):
[03:21.832] Maybe what you need is a new agent
[03:26.974] JOE:
[03:27.405] Hello, Artie
[03:28.229] ARTIE:
[03:28.472] Joe, you bastard!
[03:29.528] JOE:
[03:29.750] You never call me any more
[03:31.874] ARTIE:
[03:32.093] Found a cuter dancing partner
[03:35.427] How are things?
[03:36.251] JOE:
[03:37.029] Not so great
[03:37.887] ARTIE:
[03:38.583] Will this help?
[03:39.373] Twenty bucks?
[03:40.174] JOE (spoken):
[03:40.384] Thanks, you're a pal
[03:41.893] ALL (spoken):
[03:42.508] Good morning, Mr. DeMille
[03:45.217] Hi Mr. DeMille
[03:46.908] SHELDRAKE:
[03:47.245] This is Sheldrake
[03:48.325] Bring some water
[03:49.683]Get me that ****head Nolan
[03:52.365] Nolan, sweetheart
[03:53.788] Great to talk
[03:54.786] This draft is so much brighter
[03:57.120] You're the best
[03:58.003] Even so
[03:58.885] I've hired another writer
[04:01.292] SECRETARY (spoken):
[04:01.884] Mr. Gillis
[04:03.068] SHELDRAKE:
[04:03.289]Joe! What the **** brings you here?
[04:04.787] JOE (spoken):
[04:05.170] You wanted to see me
[04:06.006] SHELDRAKE (spoken):
[04:06.203] I did? What about?
[04:06.748] JOE (spoken):
[04:06.945] "Bases Loaded." It's an outline for a baseball picture
[04:07.747] SHELDRAKE (spoken):
[04:08.637] So, pitch
[04:08.930] JOE (spoken):
[04:09.929] It's about a rookie shortstop. He's batting .347. The kid was once mixed up in a holdup. Now he's trying to go straight
[04:13.807] SHELDRAKE  (spoken):
[04:14.404] Wait a minute. Wait a minute. I think I have read this. Somebody, bring in what we've got on...
[04:17.522] JOE (spoken):
[04:18.502] "Bases Loaded."
[04:19.008] SHELDRAKE  (spoken):
[04:19.442] ..."Bases Loaded."
[04:19.953] JOE (spoken):
[04:20.208] They're pretty hot for it over at Twentieth
[04:21.086] SHELDRAKE  (spoken):
[04:22.282] Good!
[04:22.989] JOE (spoken):
[04:23.292] But can you see Ty Power as a shortstop?
[04:25.161] ENSEMBLE:
[04:25.405] Let's have lunch
[04:26.902] BETTY (spoken)
[04:27.169] Here's that "Bases Loaded" material, Mr. Sheldrake
[04:28.911] I made a two-page synopsis for you,
[04:30.606] but I wouldn't bother to read it
[04:32.265] SHELDRAKE (spoken):
[04:32.405] Why not?
[04:33.589] BETTY (spoken):
[04:33.763] It's just a rehash of something
[04:34.623] that wasn't very good to begin with
[04:36.283] SHELDRAKE (spoken):
[04:36.549] Meet Mr. Gillis. He wrote it
[04:37.967] ENSEMBLE:
[04:38.547] We should talk
[04:40.683] SHELDRAKE
[04:40.904] (spoken)
[04:41.101] This is Miss Kramer
[04:42.088] BETTY (spoken)
[04:42.587] Schaefer. Betty Schaefer.
[04:43.585] And right now,
[04:44.085] I'd like to crawl into a hole and pull it in after me
[04:46.301] JOE (spoken)
[04:46.465] If I could be of any help...
[04:47.730] BETTY (spoken)
[04:47.882] I'm sorry, Mr. Gillis, I couldn't see the point of it
[04:50.504] JOE (spoken)
[04:50.667] What sort of material do you suggest?
[04:52.502] James Joyce? Dostoyevsky?
[04:52.710] BETTY (spoken)
[04:54.626] I think pictures should at least try to say a little something
[04:57.006] JOE (spoken)
[04:57.168] I see you're one of the message kids
[04:58.945] I expect you'd have turned down "Gone With the Wind"
[05:00.385] SHELDRAKE (spoken)
[05:00.605] No, that was me
[05:01.743] ENSEMBLE:
[05:02.045] Gotta run
[05:03.588] BETTY (spoken):
[05:03.925] And I guess I was disappointed
[05:05.620] I've read some of your other work
[05:07.048] and I thought you had some real talent
[05:09.219] JOE (spoken):
[05:09.347] Yeah, that was last year. This year I felt like eating
[05:11.180] BETTY (spoken):
[05:11.343] Well, I'm sorry, Mr. Gillis
[05:12.064] SHELDRAKE (spoken):
[05:12.261] Thank you, Miss Kramer
[05:14.907] Well, looks like Zanuck's got himself a baseball picture
[05:18.565] ENSEMBLE:
[05:19.540] We should talk
[05:20.329] Gotta run
[05:21.269] Let's have lunch
[05:22.582] JOE:
[05:22.779] You've got to give me some work
[05:25.089] I'll take whatever's on offer
[05:27.388]There must be some shit that needs a rewrite
[05:29.884] Throw it my way
[05:31.521] SHELDRAKE:
[05:31.718] I only wish I could help
[05:34.388] There's no spare shit at the moment
[05:36.885] Remember the greatest writers starved in garretts
[05:40.843] Didn't care about pay
[05:42.945] JOE:
[05:43.258] Are you trying to be funny?
[05:45.487] SHELDRAKE:
[05:45.719] I believe in self-denial
[05:48.506] Gives a man some moral backbone
[05:50.688] JOE:
[05:51.105] Can you loan me three hundred bucks?
[05:53.602] SHELDRAKE:
[05:53.800] I'm sorry, Gillis. Good-bye
[05:55.378] JOE:
[05:56.672] I just love Hollywood
[06:00.209] CROWD (MYRON, CLIFF, SAMMY, MORINO, KATHERINE, LIZ, MARY, JOANNA, DAWN, ARTIE, JOHN, ANITA, ADAM, LISA) :
[06:01.301] Morning, Joanna / Where've you been hiding? / Hi there, Lisa
[06:04.087] I hate this weather / You look great / What're you doing?
[06:06.989] This is the biggest film ever made / I'm trying to make my mind up
[06:09.543] Guess I was born to play her/ They're talking nominations
[06:12.563] What is my motivation? / You should go work for Warners / Is your new script with Sheldrake?
[06:15.603] We shoot next month / Let's drive to Vegas this weekend
[06:18.447] I'm handing in my second draft / It's between me and Dietrich
[06:21.199] I'd really love to read it / I'd know just how to light you
[06:23.521] It won't work / I've landed a big Broadway show/ I'd know just how to light you
[06:24.573] We should talk
[06:26.093] Gotta run
[06:27.312] Let's have lunch!
[06:28.554] Hi, good morning
[06:29.820] Aren't we lucky?
[06:31.074] Going to work with Cukor
[06:34.533] Paramount is paradise
[06:39.936] Movies from A to Zukor
[06:42.617] We should talk, gotta run
[06:44.603] Let's have lunch
[06:45.775] We should talk
[06:46.843] Gotta run
[06:47.841] Let's have lunch!
[06:49.803] JOE(spoken, to BETTY):
[06:51.045] Come to get your knife back?
[06:52.857] It's still right there,
[06:53.937] Right between my shoulder blades

🌍 纯翻译歌词

【乔】
嗨，麦伦
【麦伦】
最近怎么样啊
【乔】
我约了谢尔德雷克见面
【麦伦】
我在福克斯忙一部西部片儿
【乔】
你怎么能和达里尔合作的？
【麦伦】
我们真该聊聊
【乔】
我得走了
【二人】
我们约个午饭吧
【玛丽】
你好啊，吉利斯先生
【乔】
你看起来状态不错嘛
【玛丽】
我有个试镜要准备
【乔】
谢尔德雷克要把我逼疯了
【玛丽】
你选角的时候别忘了我哦
【乔】
我们真该聊聊
【玛丽】
我得走了
【二人】
我们约个午饭吧
【乔】
早上好，乔安娜
【玛丽】
嗨，麦伦呀
【乔安娜】
你约的谁呢
【麦伦】
你看起来挺好啊
【乔】
谢尔德雷克，但我真得这么做么
【玛丽】
我整一个月都在禁食
【乔安娜】
我在写第二稿啦
【麦伦】
我在福克斯忙一部西部片儿
【乔】
噢可真想拜读一下
【玛丽】
选角的时候别忘了我啊
【乔安娜】
我们真该聊聊
【麦伦】
我们真该聊聊
【乔】
我得走了
【玛丽】
我得走了
【四人】
我们约个午饭吧
【乔】
是的，我和谢尔德雷克有预约
【琼斯】
您的名字？
【乔】
吉利斯，约瑟夫·吉利斯
【琼斯】
好的，先生，您知道怎么走吧？
【乔】
知道
【财务经理甲】
我们需要你车子的钥匙
【财务经理乙】
你债务压力很大啊
【财务经理甲】
别想耍聪明来糊弄我们
【财务经理乙】
钥匙给我们
【乔】
我也希望我能给你们
但我把它借给我的会计师了
他在棕榈泉有个大头客户
感觉像是闲聊
【财务经理甲】
意思是你过来是用走的？
【乔】
哦我信仰行为克己
我想自我训练一下，当个牧师
【财务经理乙】
好吧，聪明人，就三百吧
【财务经理甲】
不然我们就提走你的车
【财务经理乙】
我们有法令的
【乔】
我就爱你们讲混账话的样子
【萨米】
上帝保佑你，约瑟夫
【乔】
是你？萨米？
【萨米】
喜欢吗，我的这群佳丽们？
【乔】
这什么玩意儿？你什么运气？
【萨米】
人在屋檐下啊
【女孩们】
这是部空前的大制作啊
【乔】
你演什么呢？
【安妮塔】
神殿圣女
【道恩】
黛利拉的侍女
【乔】
我们约个午饭吧
我得走了
你得给我找个工作
我负债累累了
我觉得你真是我命中注定的经纪人
我得找点活儿干才行
【莫里诺】
我也希望我帮得上忙
这座城现在就死气沉沉的
制作都缓下来了
【乔】
那个混蛋是谁？
【莫里诺】
他是我的百老汇宠儿
大工作室都在抢他
【年轻人】
二选一是吧
【乔】
我需要的只是三百块钱
【莫里诺】
你真正需要的，可能是个新经纪人
【乔】
你好啊，亚蒂
【亚蒂】
乔，你个混球！
【乔】
你后来一次都没打过我电话
【亚蒂】
还找了个更漂亮的舞伴
情况怎么样？
【乔】
不太好
【亚蒂】
这点用得上吗？
二十块？
【乔】
谢了，够朋友
【所有人】
早上好，地米尔先生
您好，地米尔先生
【谢尔德雷克】
我是谢尔德雷克
倒点水来
让那个白痴诺兰过来
诺兰啊，亲爱的
真高兴能和你聊一聊
这一稿写得漂亮多啦
你真是最棒的
不过
我已经签了另一个作家
【秘书】
吉利斯先生
【谢尔德雷克】
乔！什么风把你给吹来了？
【乔】
你之前说了要见我
【谢尔德雷克】
哦是吗？是什么事？
【乔】
《满垒》，那部棒球片的大纲
【谢尔德雷克】
啊啊…球场
【乔】
写的是个新游击手，之前有点迷茫受挫，现在要逆袭了
【谢尔德雷克】
先等等，等等…我看过这个，有人之前给我看了这个这个…
【乔】
《满垒》
【谢尔德雷克】
嗯是…《满垒》
【乔】
二十世纪啊，这个很卖座的
【谢尔德雷克】
不错不错
【乔】
那你看能不能让泰隆·鲍华演这个游击手？
【合】
我们约个午饭吧
【贝蒂】
谢尔德雷克先生，这是《满垒》的资料
我准备了两页纸的提要
不过我觉得并不值得一看
【谢尔德雷克】
为什么？
【贝蒂】
炒冷饭吧这个
开头都不怎么样
【谢尔德雷克】
这位是吉利斯先生，这是他写的
【合】
我们该聊聊
【谢尔德雷克】
（说话）
这是克莱默小姐
【贝蒂】
谢夫，我是贝蒂·谢夫
现在……
我真想找个地洞钻进去
【乔】
我能做什么吗…
【贝蒂】
很抱歉，吉利斯先生，我看不出它有多少价值
【乔】
那你指望它是谁写的？
詹姆斯·乔伊斯？陀思妥耶夫斯基？
【贝蒂】
我认为一部电影至少该有它想要表达的东西
【乔】
你就是个传话的吧
我想你肯定连《飘》都拒绝过
【谢尔德雷克】
不，那是我
【合】
我得走了
【贝蒂】
我觉得我很失望
我看过你写的其他东西
曾经还认为你是个才华杰出的人
【乔】
好了那是去年，今年我人都要腐烂掉了
【贝蒂】
好吧…我很抱歉，吉利斯先生
【谢尔德雷克】
谢谢你，克莱默小姐
嗯…好像赞纳克也已经接了部棒球片了
【合】
我们真该聊聊
我得走了
我们约个午饭吧
【乔】
你得帮我找点活儿干啊
什么活儿都行
你这里肯定有什么要改的，烂本子之类的
都给我吧
【谢尔德雷克】
我也希望我能帮上忙
但现在什么烂本子都没有
想想，最伟大的作家在乎的是为理想付出一切
钱算什么
【乔】
你在跟我开玩笑？
【谢尔德雷克】
哦我信仰行为克己
能给人以精神支柱
【乔】
那你能借我三百块么？
【谢尔德雷克】
不好意思，吉利斯，再见
【乔】
我真他妈喜欢好莱坞
【众人（麦伦，克里夫，萨米，莫里诺，凯瑟琳，丽兹，玛丽，乔安娜，道恩，亚蒂，约翰，安妮塔，亚当，丽萨）】
早呀，乔安娜/你最近跑哪儿去啦？ / 你好，丽萨
这天气真讨人厌 / 你看起来状态不错/最近在忙什么呢
这是部空前的大制作啊 / 哎呀我还在犹豫选哪个呢
这个角色真是生来就属于我 / 他们在讨论提名的事
我有什么动力 / 你该去华纳工作啊 / 你新剧本是和谢尔德雷克合作吗？
我们下个月开机 / 周末开车去拉斯维加斯怎么样
我在忙我的第二稿 / 哎呀就在我和黛特丽之间选一个了
我真想拜读一下 / 我就知道怎么让你高兴
白费功夫/我敲定了场百老汇大剧呢 / 我就知道怎么让你高兴
我们真该聊聊
我得走了
我们约顿午饭吧
嗨，早上好呀
你敢说我们不是太走运？
我们要和丘克合作啦
派拉蒙真是天堂啊
有那么多电影，还有丘克
我们该聊聊，我得走了
我们约顿午饭吧
我们真该聊聊
我得走了
我们约顿午饭吧
【乔】
(贝蒂,) 你捅的刀子还拿回去么？
它就在这儿
就在我肩胛骨之间

🔤 LRC翻译歌词

[by:hen-to-pan]
[00:09.796]【乔】
[00:10.747]嗨，麦伦
[00:11.786]【麦伦】
[00:12.257]最近怎么样啊
[00:13.295]【乔】
[00:13.628]我约了谢尔德雷克见面
[00:14.954]【麦伦】
[00:16.054]我在福克斯忙一部西部片儿
[00:18.067]【乔】
[00:18.330]你怎么能和达里尔合作的？
[00:20.087]【麦伦】
[00:20.791]我们真该聊聊
[00:21.387]【乔】
[00:21.696]我得走了
[00:22.733]【二人】
[00:22.909]我们约个午饭吧
[00:23.889]【玛丽】
[00:24.001]你好啊，吉利斯先生
[00:25.165]【乔】
[00:25.336]你看起来状态不错嘛
[00:26.304]【玛丽】
[00:26.636]我有个试镜要准备
[00:28.289]【乔】
[00:28.854]谢尔德雷克要把我逼疯了
[00:31.226]【玛丽】
[00:31.651]你选角的时候别忘了我哦
[00:33.223]【乔】
[00:33.659]我们真该聊聊
[00:34.349]【玛丽】
[00:34.635]我得走了
[00:35.464]【二人】
[00:35.854]我们约个午饭吧
[00:36.670]【乔】
[00:37.184]早上好，乔安娜
[00:37.935]【玛丽】
[00:38.440]嗨，麦伦呀
[00:39.328]【乔安娜】
[00:39.647]你约的谁呢
[00:40.489]【麦伦】
[00:40.762]你看起来挺好啊
[00:41.569]【乔】
[00:41.725]谢尔德雷克，但我真得这么做么
[00:43.332]【玛丽】
[00:43.524]我整一个月都在禁食
[00:44.309]【乔安娜】
[00:44.859]我在写第二稿啦
[00:45.550]【麦伦】
[00:46.520]我在福克斯忙一部西部片儿
[00:46.770]【乔】
[00:48.783]噢可真想拜读一下
[00:49.233]【玛丽】
[00:50.246]选角的时候别忘了我啊
[00:51.996]【乔安娜】
[00:52.243]我们真该聊聊
[00:52.843]【麦伦】
[00:52.939]我们真该聊聊
[00:53.795]【乔】
[00:53.880]我得走了
[00:54.621]【玛丽】
[00:55.283]我得走了
[00:55.897]【四人】
[00:56.118]我们约个午饭吧
[00:56.505]【乔】
[00:57.364]是的，我和谢尔德雷克有预约
[00:58.491]【琼斯】
[00:59.024]您的名字？
[00:59.592]【乔】
[00:59.988]吉利斯，约瑟夫·吉利斯
[01:01.032]【琼斯】
[01:01.694]好的，先生，您知道怎么走吧？
[01:02.912]【乔】
[01:03.714]知道
[01:06.106]【财务经理甲】
[01:06.489]我们需要你车子的钥匙
[01:07.732]【财务经理乙】
[01:08.684]你债务压力很大啊
[01:10.204]【财务经理甲】
[01:10.646]别想耍聪明来糊弄我们
[01:13.489]【财务经理乙】
[01:13.664]钥匙给我们
[01:15.671]【乔】
[01:16.009]我也希望我能给你们
[01:18.272]但我把它借给我的会计师了
[01:21.023]他在棕榈泉有个大头客户
[01:25.784]感觉像是闲聊
[01:28.385]【财务经理甲】
[01:28.605]意思是你过来是用走的？
[01:31.263]【乔】
[01:31.426]哦我信仰行为克己
[01:33.806]我想自我训练一下，当个牧师
[01:36.326]【财务经理乙】
[01:37.127]好吧，聪明人，就三百吧
[01:38.972]【财务经理甲】
[01:39.192]不然我们就提走你的车
[01:40.412]【财务经理乙】
[01:40.795]我们有法令的
[01:42.118]【乔】
[01:42.317]我就爱你们讲混账话的样子
[02:28.069]【萨米】
[02:28.231]上帝保佑你，约瑟夫
[02:29.172]【乔】
[02:29.357]是你？萨米？
[02:30.749]【萨米】
[02:30.913]喜欢吗，我的这群佳丽们？
[02:32.829]【乔】
[02:32.968]这什么玩意儿？你什么运气？
[02:35.475]【萨米】
[02:35.614]人在屋檐下啊
[02:37.507]【女孩们】
[02:37.670]这是部空前的大制作啊
[02:41.071]【乔】
[02:41.187]你演什么呢？
[02:42.114]【安妮塔】
[02:42.336]神殿圣女
[02:43.671]【道恩】
[02:43.810]黛利拉的侍女
[02:44.995]【乔】
[02:45.215]我们约个午饭吧
[02:47.073]我得走了
[02:49.453]你得给我找个工作
[02:51.856]我负债累累了
[02:54.352]我觉得你真是我命中注定的经纪人
[02:57.092]我得找点活儿干才行
[02:58.914]【莫里诺】
[02:59.216]我也希望我帮得上忙
[03:01.666]这座城现在就死气沉沉的
[03:04.232]制作都缓下来了
[03:08.330]【乔】
[03:08.528]那个混蛋是谁？
[03:09.931]【莫里诺】
[03:10.152]他是我的百老汇宠儿
[03:13.253]大工作室都在抢他
[03:15.946]【年轻人】
[03:16.132]二选一是吧
[03:18.047]【乔】
[03:18.349]我需要的只是三百块钱
[03:21.530]【莫里诺】
[03:21.832]你真正需要的，可能是个新经纪人
[03:26.974]【乔】
[03:27.405]你好啊，亚蒂
[03:28.229]【亚蒂】
[03:28.472]乔，你个混球！
[03:29.528]【乔】
[03:29.750]你后来一次都没打过我电话
[03:31.874]【亚蒂】
[03:32.093]还找了个更漂亮的舞伴
[03:35.427]情况怎么样？
[03:36.251]【乔】
[03:37.029]不太好
[03:37.887]【亚蒂】
[03:38.583]这点用得上吗？
[03:39.373]二十块？
[03:40.174]【乔】
[03:40.384]谢了，够朋友
[03:41.893]【所有人】
[03:42.508]早上好，地米尔先生
[03:45.217]您好，地米尔先生
[03:46.908]【谢尔德雷克】
[03:47.245]我是谢尔德雷克
[03:48.325]倒点水来
[03:49.683]让那个白痴诺兰过来
[03:52.365]诺兰啊，亲爱的
[03:53.788]真高兴能和你聊一聊
[03:54.786]这一稿写得漂亮多啦
[03:57.120]你真是最棒的
[03:58.003]不过
[03:58.885]我已经签了另一个作家
[04:01.292]【秘书】
[04:01.884]吉利斯先生
[04:03.068]【谢尔德雷克】
[04:03.289]乔！什么风把你给吹来了？
[04:04.787]【乔】
[04:05.170]你之前说了要见我
[04:06.006]【谢尔德雷克】
[04:06.203]哦是吗？是什么事？
[04:06.748]【乔】
[04:06.945]《满垒》，那部棒球片的大纲
[04:07.747]【谢尔德雷克】
[04:08.637]啊啊…球场
[04:08.930]【乔】
[04:09.929]写的是个新游击手，之前有点迷茫受挫，现在要逆袭了
[04:13.807]【谢尔德雷克】
[04:14.404]先等等，等等…我看过这个，有人之前给我看了这个这个…
[04:17.522]【乔】
[04:18.502]《满垒》
[04:19.008]【谢尔德雷克】
[04:19.442]嗯是…《满垒》
[04:19.953]【乔】
[04:20.208]二十世纪啊，这个很卖座的
[04:21.086]【谢尔德雷克】
[04:22.282]不错不错
[04:22.989]【乔】
[04:23.292]那你看能不能让泰隆·鲍华演这个游击手？
[04:25.161]【合】
[04:25.405]我们约个午饭吧
[04:26.902]【贝蒂】
[04:27.169]谢尔德雷克先生，这是《满垒》的资料
[04:28.911]我准备了两页纸的提要
[04:30.606]不过我觉得并不值得一看
[04:32.265]【谢尔德雷克】
[04:32.405]为什么？
[04:33.589]【贝蒂】
[04:33.763]炒冷饭吧这个
[04:34.623]开头都不怎么样
[04:36.283]【谢尔德雷克】
[04:36.549]这位是吉利斯先生，这是他写的
[04:37.967]【合】
[04:38.547]我们该聊聊
[04:40.683]【谢尔德雷克】
[04:40.904]（说话）
[04:41.101]这是克莱默小姐
[04:42.088]【贝蒂】
[04:42.587]谢夫，我是贝蒂·谢夫
[04:43.585]现在……
[04:44.085]我真想找个地洞钻进去
[04:46.301]【乔】
[04:46.465]我能做什么吗…
[04:47.730]【贝蒂】
[04:47.882]很抱歉，吉利斯先生，我看不出它有多少价值
[04:50.504]【乔】
[04:50.667]那你指望它是谁写的？
[04:52.502]詹姆斯·乔伊斯？陀思妥耶夫斯基？
[04:52.710]【贝蒂】
[04:54.626]我认为一部电影至少该有它想要表达的东西
[04:57.006]【乔】
[04:57.168]你就是个传话的吧
[04:58.945]我想你肯定连《飘》都拒绝过
[05:00.385]【谢尔德雷克】
[05:00.605]不，那是我
[05:01.743]【合】
[05:02.045]我得走了
[05:03.588]【贝蒂】
[05:03.925]我觉得我很失望
[05:05.620]我看过你写的其他东西
[05:07.048]曾经还认为你是个才华杰出的人
[05:09.219]【乔】
[05:09.347]好了那是去年，今年我人都要腐烂掉了
[05:11.180]【贝蒂】
[05:11.343]好吧…我很抱歉，吉利斯先生
[05:12.064]【谢尔德雷克】
[05:12.261]谢谢你，克莱默小姐
[05:14.907]嗯…好像赞纳克也已经接了部棒球片了
[05:18.565]【合】
[05:19.540]我们真该聊聊
[05:20.329]我得走了
[05:21.269]我们约个午饭吧
[05:22.582]【乔】
[05:22.779]你得帮我找点活儿干啊
[05:25.089]什么活儿都行
[05:27.388]你这里肯定有什么要改的，烂本子之类的
[05:29.884]都给我吧
[05:31.521]【谢尔德雷克】
[05:31.718]我也希望我能帮上忙
[05:34.388]但现在什么烂本子都没有
[05:36.885]想想，最伟大的作家在乎的是为理想付出一切
[05:40.843]钱算什么
[05:42.945]【乔】
[05:43.258]你在跟我开玩笑？
[05:45.487]【谢尔德雷克】
[05:45.719]哦我信仰行为克己
[05:48.506]能给人以精神支柱
[05:50.688]【乔】
[05:51.105]那你能借我三百块么？
[05:53.602]【谢尔德雷克】
[05:53.800]不好意思，吉利斯，再见
[05:55.378]【乔】
[05:56.672]我真他妈喜欢好莱坞
[06:00.209]【众人（麦伦，克里夫，萨米，莫里诺，凯瑟琳，丽兹，玛丽，乔安娜，道恩，亚蒂，约翰，安妮塔，亚当，丽萨）】
[06:01.301]早呀，乔安娜/你最近跑哪儿去啦？ / 你好，丽萨
[06:04.087]这天气真讨人厌 / 你看起来状态不错/最近在忙什么呢
[06:06.989]这是部空前的大制作啊 / 哎呀我还在犹豫选哪个呢
[06:09.543]这个角色真是生来就属于我 / 他们在讨论提名的事
[06:12.563]我有什么动力 / 你该去华纳工作啊 / 你新剧本是和谢尔德雷克合作吗？
[06:15.603]我们下个月开机 / 周末开车去拉斯维加斯怎么样
[06:18.447]我在忙我的第二稿 / 哎呀就在我和黛特丽之间选一个了
[06:21.199]我真想拜读一下 / 我就知道怎么让你高兴
[06:23.521]白费功夫/我敲定了场百老汇大剧呢 / 我就知道怎么让你高兴
[06:24.573]我们真该聊聊
[06:26.093]我得走了
[06:27.312]我们约顿午饭吧
[06:28.554]嗨，早上好呀
[06:29.820]你敢说我们不是太走运？
[06:31.074]我们要和丘克合作啦
[06:34.533]派拉蒙真是天堂啊
[06:39.936]有那么多电影，还有丘克
[06:42.617]我们该聊聊，我得走了
[06:44.603]我们约顿午饭吧
[06:45.775]我们真该聊聊
[06:46.843]我得走了
[06:47.841]我们约顿午饭吧
[06:49.803]【乔】
[06:51.045](贝蒂,) 你捅的刀子还拿回去么？
[06:52.857]它就在这儿
[06:53.937]就在我肩胛骨之间

📝 纯歌词版本

JOE:
 Hi there, Myron
 MYRON:
 How's it hanging?
 JOE:
 I've got a date with Sheldrake
 MYRON:
 I'm shooting a Western down at Fox
 JOE:
 How can you work with Darryl?
 MYRON:
 We should talk
 JOE:
 Gotta run
 BOTH:
 Let's have lunch
 MARY:
 Hi, Mr. Gillis
 JOE:
 You look great!
 MARY:
 I'm up for an audition
 JOE:
 Sheldrake is driving me insane
 MARY:
 Don't forget me when you're casting
 JOE:
 We should talk
 MARY:
 Gotta run
 BOTH:
 Let's have lunch
 JOE:
 Morning, Joanna
 MARY:
 Hi, there Myron
 JOANNA:
 Who are you meeting?
 MYRON:
 You look great
 JOE:
 Sheldrake, but do I need it
 MARY:
 I've spent the last month fasting
 JOANNA:
 I'm handing in my second draft
 MYRON:
 I'm shooting a Western down at Fox
 JOE:
 I'd really love to read it
 MARY:
 Don't forget me when you're casting
 JOANNA:
 We should talk
 MYRON:
 We should talk
 JOE:
 Gotta run
 MARY:
 Gotta run
 ALL FOUR:
 Let's have lunch
 JOE (spoken):
 Yeah, I had an appointment with Mr. Sheldrake
 JONES (spoken):
 Name?
 JOE (spoken):
 Gillis. Joseph Gillis
 JONES (spoken):
 All right, sir, you know your way?
 JOE (spoken):
 Yeah
 FIRST FINANCEMAN:
 We want the keys to your car
 SECOND FINANCEMAN:
 You're way behind with the payments
 FIRST FINANCEMAN:
 Don't give us any fancy footwork
 SECOND FINANCEMAN:
 Give us the keys
 JOE:
 I only wish I could help
 I loaned it to my accountant
 He has an important client down in Palm Springs
 Felt like shooting the breeze
 FIRST FINANCEMAN:
 Are you telling us you walked here?
 JOE:
 I believe in self-denial
 I'm in training for the priesthood
 SECOND FINANCEMAN:
 OK, wise guy, three hundred bucks
 FIRST FINANCEMAN:
 Or we're taking the car
 SECOND FINANCEMAN:
 We have a court order
 JOE (spoken):
 I love it when you talk dirty
 SAMMY:
 Bless you, Joseph
 JOE:
 That you, Sammy?
 SAMMY:
 How do you like my harem?
 JOE:
 How come you get such lousy breaks?
 SAMMY:
 One learns to grin and bear 'em
 GIRLS:
 This is the biggest film ever made
 JOE:
 What're you playing?
 ANITA:
 Temple virgin
 DAWN:
 Handmaiden to Delilah
 JOE:
 Let's have lunch
 Gotta run
 You've got to find me a job
 I'm way behind with my payments
 I thought you were meant to be my agent
 I need some work
 MORINO:
 I only wish I could help
 This town is dead at the moment
 There's been this slowdown in production
 JOE (spoken):
 Who is this jerk?
 MORINO:
 He's my wunderkind from Broadway
 Every major studio wants him
 YOUNGER MAN:
 Playing one against the other
 JOE:
 What I need is three hundred bucks
 MORINO (spoken):
 Maybe what you need is a new agent
 JOE:
 Hello, Artie
 ARTIE:
 Joe, you bastard!
 JOE:
 You never call me any more
 ARTIE:
 Found a cuter dancing partner
 How are things?
 JOE:
 Not so great
 ARTIE:
 Will this help?
 Twenty bucks?
 JOE (spoken):
 Thanks, you're a pal
 ALL (spoken):
 Good morning, Mr. DeMille
 Hi Mr. DeMille
 SHELDRAKE:
 This is Sheldrake
 Bring some water
Get me that ****head Nolan
 Nolan, sweetheart
 Great to talk
 This draft is so much brighter
 You're the best
 Even so
 I've hired another writer
 SECRETARY (spoken):
 Mr. Gillis
 SHELDRAKE:
Joe! What the **** brings you here?
 JOE (spoken):
 You wanted to see me
 SHELDRAKE (spoken):
 I did? What about?
 JOE (spoken):
 "Bases Loaded." It's an outline for a baseball picture
 SHELDRAKE (spoken):
 So, pitch
 JOE (spoken):
 It's about a rookie shortstop. He's batting .347. The kid was once mixed up in a holdup. Now he's trying to go straight
 SHELDRAKE  (spoken):
 Wait a minute. Wait a minute. I think I have read this. Somebody, bring in what we've got on...
 JOE (spoken):
 "Bases Loaded."
 SHELDRAKE  (spoken):
 ..."Bases Loaded."
 JOE (spoken):
 They're pretty hot for it over at Twentieth
 SHELDRAKE  (spoken):
 Good!
 JOE (spoken):
 But can you see Ty Power as a shortstop?
 ENSEMBLE:
 Let's have lunch
 BETTY (spoken)
 Here's that "Bases Loaded" material, Mr. Sheldrake
 I made a two-page synopsis for you,
 but I wouldn't bother to read it
 SHELDRAKE (spoken):
 Why not?
 BETTY (spoken):
 It's just a rehash of something
 that wasn't very good to begin with
 SHELDRAKE (spoken):
 Meet Mr. Gillis. He wrote it
 ENSEMBLE:
 We should talk
 SHELDRAKE
 (spoken)
 This is Miss Kramer
 BETTY (spoken)
 Schaefer. Betty Schaefer.
 And right now,
 I'd like to crawl into a hole and pull it in after me
 JOE (spoken)
 If I could be of any help...
 BETTY (spoken)
 I'm sorry, Mr. Gillis, I couldn't see the point of it
 JOE (spoken)
 What sort of material do you suggest?
 James Joyce? Dostoyevsky?
 BETTY (spoken)
 I think pictures should at least try to say a little something
 JOE (spoken)
 I see you're one of the message kids
 I expect you'd have turned down "Gone With the Wind"
 SHELDRAKE (spoken)
 No, that was me
 ENSEMBLE:
 Gotta run
 BETTY (spoken):
 And I guess I was disappointed
 I've read some of your other work
 and I thought you had some real talent
 JOE (spoken):
 Yeah, that was last year. This year I felt like eating
 BETTY (spoken):
 Well, I'm sorry, Mr. Gillis
 SHELDRAKE (spoken):
 Thank you, Miss Kramer
 Well, looks like Zanuck's got himself a baseball picture
 ENSEMBLE:
 We should talk
 Gotta run
 Let's have lunch
 JOE:
 You've got to give me some work
 I'll take whatever's on offer
There must be some shit that needs a rewrite
 Throw it my way
 SHELDRAKE:
 I only wish I could help
 There's no spare shit at the moment
 Remember the greatest writers starved in garretts
 Didn't care about pay
 JOE:
 Are you trying to be funny?
 SHELDRAKE:
 I believe in self-denial
 Gives a man some moral backbone
 JOE:
 Can you loan me three hundred bucks?
 SHELDRAKE:
 I'm sorry, Gillis. Good-bye
 JOE:
 I just love Hollywood
 CROWD (MYRON, CLIFF, SAMMY, MORINO, KATHERINE, LIZ, MARY, JOANNA, DAWN, ARTIE, JOHN, ANITA, ADAM, LISA) :
 Morning, Joanna / Where've you been hiding? / Hi there, Lisa
 I hate this weather / You look great / What're you doing?
 This is the biggest film ever made / I'm trying to make my mind up
 Guess I was born to play her/ They're talking nominations
 What is my motivation? / You should go work for Warners / Is your new script with Sheldrake?
 We shoot next month / Let's drive to Vegas this weekend
 I'm handing in my second draft / It's between me and Dietrich
 I'd really love to read it / I'd know just how to light you
 It won't work / I've landed a big Broadway show/ I'd know just how to light you
 We should talk
 Gotta run
 Let's have lunch!
 Hi, good morning
 Aren't we lucky?
 Going to work with Cukor
 Paramount is paradise
 Movies from A to Zukor
 We should talk, gotta run
 Let's have lunch
 We should talk
 Gotta run
 Let's have lunch!
 JOE(spoken, to BETTY):
 Come to get your knife back?
 It's still right there,
 Right between my shoulder blades

🎵 LRC歌词版本

[00:09.796] JOE:
[00:10.747] Hi there, Myron
[00:11.786] MYRON:
[00:12.257] How's it hanging?
[00:13.295] JOE:
[00:13.628] I've got a date with Sheldrake
[00:14.954] MYRON:
[00:16.054] I'm shooting a Western down at Fox
[00:18.067] JOE:
[00:18.330] How can you work with Darryl?
[00:20.087] MYRON:
[00:20.791] We should talk
[00:21.387] JOE:
[00:21.696] Gotta run
[00:22.733] BOTH:
[00:22.909] Let's have lunch
[00:23.889] MARY:
[00:24.001] Hi, Mr. Gillis
[00:25.165] JOE:
[00:25.336] You look great!
[00:26.304] MARY:
[00:26.636] I'm up for an audition
[00:28.289] JOE:
[00:28.854] Sheldrake is driving me insane
[00:31.226] MARY:
[00:31.651] Don't forget me when you're casting
[00:33.223] JOE:
[00:33.659] We should talk
[00:34.349] MARY:
[00:34.635] Gotta run
[00:35.464] BOTH:
[00:35.854] Let's have lunch
[00:36.670] JOE:
[00:37.184] Morning, Joanna
[00:37.935] MARY:
[00:38.440] Hi, there Myron
[00:39.328] JOANNA:
[00:39.647] Who are you meeting?
[00:40.489] MYRON:
[00:40.762] You look great
[00:41.569] JOE:
[00:41.725] Sheldrake, but do I need it
[00:43.332] MARY:
[00:43.524] I've spent the last month fasting
[00:44.309] JOANNA:
[00:44.859] I'm handing in my second draft
[00:45.550] MYRON:
[00:46.520] I'm shooting a Western down at Fox
[00:46.770] JOE:
[00:48.783] I'd really love to read it
[00:49.233] MARY:
[00:50.246] Don't forget me when you're casting
[00:51.996] JOANNA:
[00:52.243] We should talk
[00:52.843] MYRON:
[00:52.939] We should talk
[00:53.795] JOE:
[00:53.880] Gotta run
[00:54.621] MARY:
[00:55.283] Gotta run
[00:55.897] ALL FOUR:
[00:56.118] Let's have lunch
[00:56.505] JOE (spoken):
[00:57.364] Yeah, I had an appointment with Mr. Sheldrake
[00:58.491] JONES (spoken):
[00:59.024] Name?
[00:59.592] JOE (spoken):
[00:59.988] Gillis. Joseph Gillis
[01:01.032] JONES (spoken):
[01:01.694] All right, sir, you know your way?
[01:02.912] JOE (spoken):
[01:03.714] Yeah
[01:06.106] FIRST FINANCEMAN:
[01:06.489] We want the keys to your car
[01:07.732] SECOND FINANCEMAN:
[01:08.684] You're way behind with the payments
[01:10.204] FIRST FINANCEMAN:
[01:10.646] Don't give us any fancy footwork
[01:13.489] SECOND FINANCEMAN:
[01:13.664] Give us the keys
[01:15.671] JOE:
[01:16.009] I only wish I could help
[01:18.272] I loaned it to my accountant
[01:21.023] He has an important client down in Palm Springs
[01:25.784] Felt like shooting the breeze
[01:28.385] FIRST FINANCEMAN:
[01:28.605] Are you telling us you walked here?
[01:31.263] JOE:
[01:31.426] I believe in self-denial
[01:33.806] I'm in training for the priesthood
[01:36.326] SECOND FINANCEMAN:
[01:37.127] OK, wise guy, three hundred bucks
[01:38.972] FIRST FINANCEMAN:
[01:39.192] Or we're taking the car
[01:40.412] SECOND FINANCEMAN:
[01:40.795] We have a court order
[01:42.118] JOE (spoken):
[01:42.317] I love it when you talk dirty
[02:28.069] SAMMY:
[02:28.231] Bless you, Joseph
[02:29.172] JOE:
[02:29.357] That you, Sammy?
[02:30.749] SAMMY:
[02:30.913] How do you like my harem?
[02:32.829] JOE:
[02:32.968] How come you get such lousy breaks?
[02:35.475] SAMMY:
[02:35.614] One learns to grin and bear 'em
[02:37.507] GIRLS:
[02:37.670] This is the biggest film ever made
[02:41.071] JOE:
[02:41.187] What're you playing?
[02:42.114] ANITA:
[02:42.336] Temple virgin
[02:43.671] DAWN:
[02:43.810] Handmaiden to Delilah
[02:44.995] JOE:
[02:45.215] Let's have lunch
[02:47.073] Gotta run
[02:49.453] You've got to find me a job
[02:51.856] I'm way behind with my payments
[02:54.352] I thought you were meant to be my agent
[02:57.092] I need some work
[02:58.914] MORINO:
[02:59.216] I only wish I could help
[03:01.666] This town is dead at the moment
[03:04.232] There's been this slowdown in production
[03:08.330] JOE (spoken):
[03:08.528] Who is this jerk?
[03:09.931] MORINO:
[03:10.152] He's my wunderkind from Broadway
[03:13.253] Every major studio wants him
[03:15.946] YOUNGER MAN:
[03:16.132] Playing one against the other
[03:18.047] JOE:
[03:18.349] What I need is three hundred bucks
[03:21.530] MORINO (spoken):
[03:21.832] Maybe what you need is a new agent
[03:26.974] JOE:
[03:27.405] Hello, Artie
[03:28.229] ARTIE:
[03:28.472] Joe, you bastard!
[03:29.528] JOE:
[03:29.750] You never call me any more
[03:31.874] ARTIE:
[03:32.093] Found a cuter dancing partner
[03:35.427] How are things?
[03:36.251] JOE:
[03:37.029] Not so great
[03:37.887] ARTIE:
[03:38.583] Will this help?
[03:39.373] Twenty bucks?
[03:40.174] JOE (spoken):
[03:40.384] Thanks, you're a pal
[03:41.893] ALL (spoken):
[03:42.508] Good morning, Mr. DeMille
[03:45.217] Hi Mr. DeMille
[03:46.908] SHELDRAKE:
[03:47.245] This is Sheldrake
[03:48.325] Bring some water
[03:49.683]Get me that ****head Nolan
[03:52.365] Nolan, sweetheart
[03:53.788] Great to talk
[03:54.786] This draft is so much brighter
[03:57.120] You're the best
[03:58.003] Even so
[03:58.885] I've hired another writer
[04:01.292] SECRETARY (spoken):
[04:01.884] Mr. Gillis
[04:03.068] SHELDRAKE:
[04:03.289]Joe! What the **** brings you here?
[04:04.787] JOE (spoken):
[04:05.170] You wanted to see me
[04:06.006] SHELDRAKE (spoken):
[04:06.203] I did? What about?
[04:06.748] JOE (spoken):
[04:06.945] "Bases Loaded." It's an outline for a baseball picture
[04:07.747] SHELDRAKE (spoken):
[04:08.637] So, pitch
[04:08.930] JOE (spoken):
[04:09.929] It's about a rookie shortstop. He's batting .347. The kid was once mixed up in a holdup. Now he's trying to go straight
[04:13.807] SHELDRAKE  (spoken):
[04:14.404] Wait a minute. Wait a minute. I think I have read this. Somebody, bring in what we've got on...
[04:17.522] JOE (spoken):
[04:18.502] "Bases Loaded."
[04:19.008] SHELDRAKE  (spoken):
[04:19.442] ..."Bases Loaded."
[04:19.953] JOE (spoken):
[04:20.208] They're pretty hot for it over at Twentieth
[04:21.086] SHELDRAKE  (spoken):
[04:22.282] Good!
[04:22.989] JOE (spoken):
[04:23.292] But can you see Ty Power as a shortstop?
[04:25.161] ENSEMBLE:
[04:25.405] Let's have lunch
[04:26.902] BETTY (spoken)
[04:27.169] Here's that "Bases Loaded" material, Mr. Sheldrake
[04:28.911] I made a two-page synopsis for you,
[04:30.606] but I wouldn't bother to read it
[04:32.265] SHELDRAKE (spoken):
[04:32.405] Why not?
[04:33.589] BETTY (spoken):
[04:33.763] It's just a rehash of something
[04:34.623] that wasn't very good to begin with
[04:36.283] SHELDRAKE (spoken):
[04:36.549] Meet Mr. Gillis. He wrote it
[04:37.967] ENSEMBLE:
[04:38.547] We should talk
[04:40.683] SHELDRAKE
[04:40.904] (spoken)
[04:41.101] This is Miss Kramer
[04:42.088] BETTY (spoken)
[04:42.587] Schaefer. Betty Schaefer.
[04:43.585] And right now,
[04:44.085] I'd like to crawl into a hole and pull it in after me
[04:46.301] JOE (spoken)
[04:46.465] If I could be of any help...
[04:47.730] BETTY (spoken)
[04:47.882] I'm sorry, Mr. Gillis, I couldn't see the point of it
[04:50.504] JOE (spoken)
[04:50.667] What sort of material do you suggest?
[04:52.502] James Joyce? Dostoyevsky?
[04:52.710] BETTY (spoken)
[04:54.626] I think pictures should at least try to say a little something
[04:57.006] JOE (spoken)
[04:57.168] I see you're one of the message kids
[04:58.945] I expect you'd have turned down "Gone With the Wind"
[05:00.385] SHELDRAKE (spoken)
[05:00.605] No, that was me
[05:01.743] ENSEMBLE:
[05:02.045] Gotta run
[05:03.588] BETTY (spoken):
[05:03.925] And I guess I was disappointed
[05:05.620] I've read some of your other work
[05:07.048] and I thought you had some real talent
[05:09.219] JOE (spoken):
[05:09.347] Yeah, that was last year. This year I felt like eating
[05:11.180] BETTY (spoken):
[05:11.343] Well, I'm sorry, Mr. Gillis
[05:12.064] SHELDRAKE (spoken):
[05:12.261] Thank you, Miss Kramer
[05:14.907] Well, looks like Zanuck's got himself a baseball picture
[05:18.565] ENSEMBLE:
[05:19.540] We should talk
[05:20.329] Gotta run
[05:21.269] Let's have lunch
[05:22.582] JOE:
[05:22.779] You've got to give me some work
[05:25.089] I'll take whatever's on offer
[05:27.388]There must be some shit that needs a rewrite
[05:29.884] Throw it my way
[05:31.521] SHELDRAKE:
[05:31.718] I only wish I could help
[05:34.388] There's no spare shit at the moment
[05:36.885] Remember the greatest writers starved in garretts
[05:40.843] Didn't care about pay
[05:42.945] JOE:
[05:43.258] Are you trying to be funny?
[05:45.487] SHELDRAKE:
[05:45.719] I believe in self-denial
[05:48.506] Gives a man some moral backbone
[05:50.688] JOE:
[05:51.105] Can you loan me three hundred bucks?
[05:53.602] SHELDRAKE:
[05:53.800] I'm sorry, Gillis. Good-bye
[05:55.378] JOE:
[05:56.672] I just love Hollywood
[06:00.209] CROWD (MYRON, CLIFF, SAMMY, MORINO, KATHERINE, LIZ, MARY, JOANNA, DAWN, ARTIE, JOHN, ANITA, ADAM, LISA) :
[06:01.301] Morning, Joanna / Where've you been hiding? / Hi there, Lisa
[06:04.087] I hate this weather / You look great / What're you doing?
[06:06.989] This is the biggest film ever made / I'm trying to make my mind up
[06:09.543] Guess I was born to play her/ They're talking nominations
[06:12.563] What is my motivation? / You should go work for Warners / Is your new script with Sheldrake?
[06:15.603] We shoot next month / Let's drive to Vegas this weekend
[06:18.447] I'm handing in my second draft / It's between me and Dietrich
[06:21.199] I'd really love to read it / I'd know just how to light you
[06:23.521] It won't work / I've landed a big Broadway show/ I'd know just how to light you
[06:24.573] We should talk
[06:26.093] Gotta run
[06:27.312] Let's have lunch!
[06:28.554] Hi, good morning
[06:29.820] Aren't we lucky?
[06:31.074] Going to work with Cukor
[06:34.533] Paramount is paradise
[06:39.936] Movies from A to Zukor
[06:42.617] We should talk, gotta run
[06:44.603] Let's have lunch
[06:45.775] We should talk
[06:46.843] Gotta run
[06:47.841] Let's have lunch!
[06:49.803] JOE(spoken, to BETTY):
[06:51.045] Come to get your knife back?
[06:52.857] It's still right there,
[06:53.937] Right between my shoulder blades

🌍 纯翻译歌词

【乔】
嗨，麦伦
【麦伦】
最近怎么样啊
【乔】
我约了谢尔德雷克见面
【麦伦】
我在福克斯忙一部西部片儿
【乔】
你怎么能和达里尔合作的？
【麦伦】
我们真该聊聊
【乔】
我得走了
【二人】
我们约个午饭吧
【玛丽】
你好啊，吉利斯先生
【乔】
你看起来状态不错嘛
【玛丽】
我有个试镜要准备
【乔】
谢尔德雷克要把我逼疯了
【玛丽】
你选角的时候别忘了我哦
【乔】
我们真该聊聊
【玛丽】
我得走了
【二人】
我们约个午饭吧
【乔】
早上好，乔安娜
【玛丽】
嗨，麦伦呀
【乔安娜】
你约的谁呢
【麦伦】
你看起来挺好啊
【乔】
谢尔德雷克，但我真得这么做么
【玛丽】
我整一个月都在禁食
【乔安娜】
我在写第二稿啦
【麦伦】
我在福克斯忙一部西部片儿
【乔】
噢可真想拜读一下
【玛丽】
选角的时候别忘了我啊
【乔安娜】
我们真该聊聊
【麦伦】
我们真该聊聊
【乔】
我得走了
【玛丽】
我得走了
【四人】
我们约个午饭吧
【乔】
是的，我和谢尔德雷克有预约
【琼斯】
您的名字？
【乔】
吉利斯，约瑟夫·吉利斯
【琼斯】
好的，先生，您知道怎么走吧？
【乔】
知道
【财务经理甲】
我们需要你车子的钥匙
【财务经理乙】
你债务压力很大啊
【财务经理甲】
别想耍聪明来糊弄我们
【财务经理乙】
钥匙给我们
【乔】
我也希望我能给你们
但我把它借给我的会计师了
他在棕榈泉有个大头客户
感觉像是闲聊
【财务经理甲】
意思是你过来是用走的？
【乔】
哦我信仰行为克己
我想自我训练一下，当个牧师
【财务经理乙】
好吧，聪明人，就三百吧
【财务经理甲】
不然我们就提走你的车
【财务经理乙】
我们有法令的
【乔】
我就爱你们讲混账话的样子
【萨米】
上帝保佑你，约瑟夫
【乔】
是你？萨米？
【萨米】
喜欢吗，我的这群佳丽们？
【乔】
这什么玩意儿？你什么运气？
【萨米】
人在屋檐下啊
【女孩们】
这是部空前的大制作啊
【乔】
你演什么呢？
【安妮塔】
神殿圣女
【道恩】
黛利拉的侍女
【乔】
我们约个午饭吧
我得走了
你得给我找个工作
我负债累累了
我觉得你真是我命中注定的经纪人
我得找点活儿干才行
【莫里诺】
我也希望我帮得上忙
这座城现在就死气沉沉的
制作都缓下来了
【乔】
那个混蛋是谁？
【莫里诺】
他是我的百老汇宠儿
大工作室都在抢他
【年轻人】
二选一是吧
【乔】
我需要的只是三百块钱
【莫里诺】
你真正需要的，可能是个新经纪人
【乔】
你好啊，亚蒂
【亚蒂】
乔，你个混球！
【乔】
你后来一次都没打过我电话
【亚蒂】
还找了个更漂亮的舞伴
情况怎么样？
【乔】
不太好
【亚蒂】
这点用得上吗？
二十块？
【乔】
谢了，够朋友
【所有人】
早上好，地米尔先生
您好，地米尔先生
【谢尔德雷克】
我是谢尔德雷克
倒点水来
让那个白痴诺兰过来
诺兰啊，亲爱的
真高兴能和你聊一聊
这一稿写得漂亮多啦
你真是最棒的
不过
我已经签了另一个作家
【秘书】
吉利斯先生
【谢尔德雷克】
乔！什么风把你给吹来了？
【乔】
你之前说了要见我
【谢尔德雷克】
哦是吗？是什么事？
【乔】
《满垒》，那部棒球片的大纲
【谢尔德雷克】
啊啊…球场
【乔】
写的是个新游击手，之前有点迷茫受挫，现在要逆袭了
【谢尔德雷克】
先等等，等等…我看过这个，有人之前给我看了这个这个…
【乔】
《满垒》
【谢尔德雷克】
嗯是…《满垒》
【乔】
二十世纪啊，这个很卖座的
【谢尔德雷克】
不错不错
【乔】
那你看能不能让泰隆·鲍华演这个游击手？
【合】
我们约个午饭吧
【贝蒂】
谢尔德雷克先生，这是《满垒》的资料
我准备了两页纸的提要
不过我觉得并不值得一看
【谢尔德雷克】
为什么？
【贝蒂】
炒冷饭吧这个
开头都不怎么样
【谢尔德雷克】
这位是吉利斯先生，这是他写的
【合】
我们该聊聊
【谢尔德雷克】
（说话）
这是克莱默小姐
【贝蒂】
谢夫，我是贝蒂·谢夫
现在……
我真想找个地洞钻进去
【乔】
我能做什么吗…
【贝蒂】
很抱歉，吉利斯先生，我看不出它有多少价值
【乔】
那你指望它是谁写的？
詹姆斯·乔伊斯？陀思妥耶夫斯基？
【贝蒂】
我认为一部电影至少该有它想要表达的东西
【乔】
你就是个传话的吧
我想你肯定连《飘》都拒绝过
【谢尔德雷克】
不，那是我
【合】
我得走了
【贝蒂】
我觉得我很失望
我看过你写的其他东西
曾经还认为你是个才华杰出的人
【乔】
好了那是去年，今年我人都要腐烂掉了
【贝蒂】
好吧…我很抱歉，吉利斯先生
【谢尔德雷克】
谢谢你，克莱默小姐
嗯…好像赞纳克也已经接了部棒球片了
【合】
我们真该聊聊
我得走了
我们约个午饭吧
【乔】
你得帮我找点活儿干啊
什么活儿都行
你这里肯定有什么要改的，烂本子之类的
都给我吧
【谢尔德雷克】
我也希望我能帮上忙
但现在什么烂本子都没有
想想，最伟大的作家在乎的是为理想付出一切
钱算什么
【乔】
你在跟我开玩笑？
【谢尔德雷克】
哦我信仰行为克己
能给人以精神支柱
【乔】
那你能借我三百块么？
【谢尔德雷克】
不好意思，吉利斯，再见
【乔】
我真他妈喜欢好莱坞
【众人（麦伦，克里夫，萨米，莫里诺，凯瑟琳，丽兹，玛丽，乔安娜，道恩，亚蒂，约翰，安妮塔，亚当，丽萨）】
早呀，乔安娜/你最近跑哪儿去啦？ / 你好，丽萨
这天气真讨人厌 / 你看起来状态不错/最近在忙什么呢
这是部空前的大制作啊 / 哎呀我还在犹豫选哪个呢
这个角色真是生来就属于我 / 他们在讨论提名的事
我有什么动力 / 你该去华纳工作啊 / 你新剧本是和谢尔德雷克合作吗？
我们下个月开机 / 周末开车去拉斯维加斯怎么样
我在忙我的第二稿 / 哎呀就在我和黛特丽之间选一个了
我真想拜读一下 / 我就知道怎么让你高兴
白费功夫/我敲定了场百老汇大剧呢 / 我就知道怎么让你高兴
我们真该聊聊
我得走了
我们约顿午饭吧
嗨，早上好呀
你敢说我们不是太走运？
我们要和丘克合作啦
派拉蒙真是天堂啊
有那么多电影，还有丘克
我们该聊聊，我得走了
我们约顿午饭吧
我们真该聊聊
我得走了
我们约顿午饭吧
【乔】
(贝蒂,) 你捅的刀子还拿回去么？
它就在这儿
就在我肩胛骨之间

🔤 LRC翻译歌词

[by:hen-to-pan]
[00:09.796]【乔】
[00:10.747]嗨，麦伦
[00:11.786]【麦伦】
[00:12.257]最近怎么样啊
[00:13.295]【乔】
[00:13.628]我约了谢尔德雷克见面
[00:14.954]【麦伦】
[00:16.054]我在福克斯忙一部西部片儿
[00:18.067]【乔】
[00:18.330]你怎么能和达里尔合作的？
[00:20.087]【麦伦】
[00:20.791]我们真该聊聊
[00:21.387]【乔】
[00:21.696]我得走了
[00:22.733]【二人】
[00:22.909]我们约个午饭吧
[00:23.889]【玛丽】
[00:24.001]你好啊，吉利斯先生
[00:25.165]【乔】
[00:25.336]你看起来状态不错嘛
[00:26.304]【玛丽】
[00:26.636]我有个试镜要准备
[00:28.289]【乔】
[00:28.854]谢尔德雷克要把我逼疯了
[00:31.226]【玛丽】
[00:31.651]你选角的时候别忘了我哦
[00:33.223]【乔】
[00:33.659]我们真该聊聊
[00:34.349]【玛丽】
[00:34.635]我得走了
[00:35.464]【二人】
[00:35.854]我们约个午饭吧
[00:36.670]【乔】
[00:37.184]早上好，乔安娜
[00:37.935]【玛丽】
[00:38.440]嗨，麦伦呀
[00:39.328]【乔安娜】
[00:39.647]你约的谁呢
[00:40.489]【麦伦】
[00:40.762]你看起来挺好啊
[00:41.569]【乔】
[00:41.725]谢尔德雷克，但我真得这么做么
[00:43.332]【玛丽】
[00:43.524]我整一个月都在禁食
[00:44.309]【乔安娜】
[00:44.859]我在写第二稿啦
[00:45.550]【麦伦】
[00:46.520]我在福克斯忙一部西部片儿
[00:46.770]【乔】
[00:48.783]噢可真想拜读一下
[00:49.233]【玛丽】
[00:50.246]选角的时候别忘了我啊
[00:51.996]【乔安娜】
[00:52.243]我们真该聊聊
[00:52.843]【麦伦】
[00:52.939]我们真该聊聊
[00:53.795]【乔】
[00:53.880]我得走了
[00:54.621]【玛丽】
[00:55.283]我得走了
[00:55.897]【四人】
[00:56.118]我们约个午饭吧
[00:56.505]【乔】
[00:57.364]是的，我和谢尔德雷克有预约
[00:58.491]【琼斯】
[00:59.024]您的名字？
[00:59.592]【乔】
[00:59.988]吉利斯，约瑟夫·吉利斯
[01:01.032]【琼斯】
[01:01.694]好的，先生，您知道怎么走吧？
[01:02.912]【乔】
[01:03.714]知道
[01:06.106]【财务经理甲】
[01:06.489]我们需要你车子的钥匙
[01:07.732]【财务经理乙】
[01:08.684]你债务压力很大啊
[01:10.204]【财务经理甲】
[01:10.646]别想耍聪明来糊弄我们
[01:13.489]【财务经理乙】
[01:13.664]钥匙给我们
[01:15.671]【乔】
[01:16.009]我也希望我能给你们
[01:18.272]但我把它借给我的会计师了
[01:21.023]他在棕榈泉有个大头客户
[01:25.784]感觉像是闲聊
[01:28.385]【财务经理甲】
[01:28.605]意思是你过来是用走的？
[01:31.263]【乔】
[01:31.426]哦我信仰行为克己
[01:33.806]我想自我训练一下，当个牧师
[01:36.326]【财务经理乙】
[01:37.127]好吧，聪明人，就三百吧
[01:38.972]【财务经理甲】
[01:39.192]不然我们就提走你的车
[01:40.412]【财务经理乙】
[01:40.795]我们有法令的
[01:42.118]【乔】
[01:42.317]我就爱你们讲混账话的样子
[02:28.069]【萨米】
[02:28.231]上帝保佑你，约瑟夫
[02:29.172]【乔】
[02:29.357]是你？萨米？
[02:30.749]【萨米】
[02:30.913]喜欢吗，我的这群佳丽们？
[02:32.829]【乔】
[02:32.968]这什么玩意儿？你什么运气？
[02:35.475]【萨米】
[02:35.614]人在屋檐下啊
[02:37.507]【女孩们】
[02:37.670]这是部空前的大制作啊
[02:41.071]【乔】
[02:41.187]你演什么呢？
[02:42.114]【安妮塔】
[02:42.336]神殿圣女
[02:43.671]【道恩】
[02:43.810]黛利拉的侍女
[02:44.995]【乔】
[02:45.215]我们约个午饭吧
[02:47.073]我得走了
[02:49.453]你得给我找个工作
[02:51.856]我负债累累了
[02:54.352]我觉得你真是我命中注定的经纪人
[02:57.092]我得找点活儿干才行
[02:58.914]【莫里诺】
[02:59.216]我也希望我帮得上忙
[03:01.666]这座城现在就死气沉沉的
[03:04.232]制作都缓下来了
[03:08.330]【乔】
[03:08.528]那个混蛋是谁？
[03:09.931]【莫里诺】
[03:10.152]他是我的百老汇宠儿
[03:13.253]大工作室都在抢他
[03:15.946]【年轻人】
[03:16.132]二选一是吧
[03:18.047]【乔】
[03:18.349]我需要的只是三百块钱
[03:21.530]【莫里诺】
[03:21.832]你真正需要的，可能是个新经纪人
[03:26.974]【乔】
[03:27.405]你好啊，亚蒂
[03:28.229]【亚蒂】
[03:28.472]乔，你个混球！
[03:29.528]【乔】
[03:29.750]你后来一次都没打过我电话
[03:31.874]【亚蒂】
[03:32.093]还找了个更漂亮的舞伴
[03:35.427]情况怎么样？
[03:36.251]【乔】
[03:37.029]不太好
[03:37.887]【亚蒂】
[03:38.583]这点用得上吗？
[03:39.373]二十块？
[03:40.174]【乔】
[03:40.384]谢了，够朋友
[03:41.893]【所有人】
[03:42.508]早上好，地米尔先生
[03:45.217]您好，地米尔先生
[03:46.908]【谢尔德雷克】
[03:47.245]我是谢尔德雷克
[03:48.325]倒点水来
[03:49.683]让那个白痴诺兰过来
[03:52.365]诺兰啊，亲爱的
[03:53.788]真高兴能和你聊一聊
[03:54.786]这一稿写得漂亮多啦
[03:57.120]你真是最棒的
[03:58.003]不过
[03:58.885]我已经签了另一个作家
[04:01.292]【秘书】
[04:01.884]吉利斯先生
[04:03.068]【谢尔德雷克】
[04:03.289]乔！什么风把你给吹来了？
[04:04.787]【乔】
[04:05.170]你之前说了要见我
[04:06.006]【谢尔德雷克】
[04:06.203]哦是吗？是什么事？
[04:06.748]【乔】
[04:06.945]《满垒》，那部棒球片的大纲
[04:07.747]【谢尔德雷克】
[04:08.637]啊啊…球场
[04:08.930]【乔】
[04:09.929]写的是个新游击手，之前有点迷茫受挫，现在要逆袭了
[04:13.807]【谢尔德雷克】
[04:14.404]先等等，等等…我看过这个，有人之前给我看了这个这个…
[04:17.522]【乔】
[04:18.502]《满垒》
[04:19.008]【谢尔德雷克】
[04:19.442]嗯是…《满垒》
[04:19.953]【乔】
[04:20.208]二十世纪啊，这个很卖座的
[04:21.086]【谢尔德雷克】
[04:22.282]不错不错
[04:22.989]【乔】
[04:23.292]那你看能不能让泰隆·鲍华演这个游击手？
[04:25.161]【合】
[04:25.405]我们约个午饭吧
[04:26.902]【贝蒂】
[04:27.169]谢尔德雷克先生，这是《满垒》的资料
[04:28.911]我准备了两页纸的提要
[04:30.606]不过我觉得并不值得一看
[04:32.265]【谢尔德雷克】
[04:32.405]为什么？
[04:33.589]【贝蒂】
[04:33.763]炒冷饭吧这个
[04:34.623]开头都不怎么样
[04:36.283]【谢尔德雷克】
[04:36.549]这位是吉利斯先生，这是他写的
[04:37.967]【合】
[04:38.547]我们该聊聊
[04:40.683]【谢尔德雷克】
[04:40.904]（说话）
[04:41.101]这是克莱默小姐
[04:42.088]【贝蒂】
[04:42.587]谢夫，我是贝蒂·谢夫
[04:43.585]现在……
[04:44.085]我真想找个地洞钻进去
[04:46.301]【乔】
[04:46.465]我能做什么吗…
[04:47.730]【贝蒂】
[04:47.882]很抱歉，吉利斯先生，我看不出它有多少价值
[04:50.504]【乔】
[04:50.667]那你指望它是谁写的？
[04:52.502]詹姆斯·乔伊斯？陀思妥耶夫斯基？
[04:52.710]【贝蒂】
[04:54.626]我认为一部电影至少该有它想要表达的东西
[04:57.006]【乔】
[04:57.168]你就是个传话的吧
[04:58.945]我想你肯定连《飘》都拒绝过
[05:00.385]【谢尔德雷克】
[05:00.605]不，那是我
[05:01.743]【合】
[05:02.045]我得走了
[05:03.588]【贝蒂】
[05:03.925]我觉得我很失望
[05:05.620]我看过你写的其他东西
[05:07.048]曾经还认为你是个才华杰出的人
[05:09.219]【乔】
[05:09.347]好了那是去年，今年我人都要腐烂掉了
[05:11.180]【贝蒂】
[05:11.343]好吧…我很抱歉，吉利斯先生
[05:12.064]【谢尔德雷克】
[05:12.261]谢谢你，克莱默小姐
[05:14.907]嗯…好像赞纳克也已经接了部棒球片了
[05:18.565]【合】
[05:19.540]我们真该聊聊
[05:20.329]我得走了
[05:21.269]我们约个午饭吧
[05:22.582]【乔】
[05:22.779]你得帮我找点活儿干啊
[05:25.089]什么活儿都行
[05:27.388]你这里肯定有什么要改的，烂本子之类的
[05:29.884]都给我吧
[05:31.521]【谢尔德雷克】
[05:31.718]我也希望我能帮上忙
[05:34.388]但现在什么烂本子都没有
[05:36.885]想想，最伟大的作家在乎的是为理想付出一切
[05:40.843]钱算什么
[05:42.945]【乔】
[05:43.258]你在跟我开玩笑？
[05:45.487]【谢尔德雷克】
[05:45.719]哦我信仰行为克己
[05:48.506]能给人以精神支柱
[05:50.688]【乔】
[05:51.105]那你能借我三百块么？
[05:53.602]【谢尔德雷克】
[05:53.800]不好意思，吉利斯，再见
[05:55.378]【乔】
[05:56.672]我真他妈喜欢好莱坞
[06:00.209]【众人（麦伦，克里夫，萨米，莫里诺，凯瑟琳，丽兹，玛丽，乔安娜，道恩，亚蒂，约翰，安妮塔，亚当，丽萨）】
[06:01.301]早呀，乔安娜/你最近跑哪儿去啦？ / 你好，丽萨
[06:04.087]这天气真讨人厌 / 你看起来状态不错/最近在忙什么呢
[06:06.989]这是部空前的大制作啊 / 哎呀我还在犹豫选哪个呢
[06:09.543]这个角色真是生来就属于我 / 他们在讨论提名的事
[06:12.563]我有什么动力 / 你该去华纳工作啊 / 你新剧本是和谢尔德雷克合作吗？
[06:15.603]我们下个月开机 / 周末开车去拉斯维加斯怎么样
[06:18.447]我在忙我的第二稿 / 哎呀就在我和黛特丽之间选一个了
[06:21.199]我真想拜读一下 / 我就知道怎么让你高兴
[06:23.521]白费功夫/我敲定了场百老汇大剧呢 / 我就知道怎么让你高兴
[06:24.573]我们真该聊聊
[06:26.093]我得走了
[06:27.312]我们约顿午饭吧
[06:28.554]嗨，早上好呀
[06:29.820]你敢说我们不是太走运？
[06:31.074]我们要和丘克合作啦
[06:34.533]派拉蒙真是天堂啊
[06:39.936]有那么多电影，还有丘克
[06:42.617]我们该聊聊，我得走了
[06:44.603]我们约顿午饭吧
[06:45.775]我们真该聊聊
[06:46.843]我得走了
[06:47.841]我们约顿午饭吧
[06:49.803]【乔】
[06:51.045](贝蒂,) 你捅的刀子还拿回去么？
[06:52.857]它就在这儿
[06:53.937]就在我肩胛骨之间

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正在播放: Act I: Let's Have Lunch

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Act I: Let's Have Lunch

Andrew Lloyd Webber